tag:blogger.com,1999:blog-70796769720117575352024-03-19T02:55:41.334-07:00Borderline •Mirrorlike[邊境 • 近鏡] 臺灣╳以色列青年藝術家交流展
[Borderline . Mirrorlike] Taiwan –Israel Young Artists Exchange Exhibition
日期Date 2008, 7/18-27 10:00-18:00
開幕 Reception 07/18 (Fri.) 19:30
座談 Forum 07/20 (Sun.) 14:00
地點 華山藝文中心 中1A高塔區品控股Taiwan-Israelhttp://www.blogger.com/profile/07260608420076148645noreply@blogger.comBlogger17125tag:blogger.com,1999:blog-7079676972011757535.post-73206137093140959692009-05-28T11:54:00.000-07:002008-07-08T17:45:13.239-07:00[邊境 • 近鏡] 臺灣╳以色列青年藝術家交流展<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEity3llbJ1OiGOkS9dupUhHrHhUhjOCk4Z2CoygR4Ev_a7_UDTEg9yux8kiX_0g8OgzR7pVUjoxZ14Mj5mDhBjbZAHJWBqOE_sXDlG_G8i1jRrKjb8YUtmaMzva1R0Ivn-zTMmCLzxrYePh/s1600-h/EDM2.jpg"><img id="BLOGGER_PHOTO_ID_5220807787063974594" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" height="241" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEity3llbJ1OiGOkS9dupUhHrHhUhjOCk4Z2CoygR4Ev_a7_UDTEg9yux8kiX_0g8OgzR7pVUjoxZ14Mj5mDhBjbZAHJWBqOE_sXDlG_G8i1jRrKjb8YUtmaMzva1R0Ivn-zTMmCLzxrYePh/s320/EDM2.jpg" width="202" border="0" /></a><br /><span lang="EN-US" style="font-size:100%;"><span style="FONT-WEIGHT: bold"><div><br /><br /><br /><br /><br /><br /></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div><br /><br /></span></span></div><br /><p class="MsoListParagraph" style="font-family:arial;"></p><p class="MsoListParagraph" style="font-family:arial;"></p><p class="MsoListParagraph" face="arial"></p><p class="MsoListParagraph" face="arial"></p><p class="MsoListParagraph" face="arial"></p><p class="MsoListParagraph" face="arial"></p><p class="MsoListParagraph" style="FONT-FAMILY: arial"><br /><span style="font-size:100%;"><span style="font-size:8;"><span style="font-size:100%;"></span></span></span></p><span style="font-size:100%;"><span style="font-size:8;"><span style="font-size:100%;"><span style="font-size:85%;color:#999999;"></span></span></span></span><br /><p><span style="font-size:100%;"><span style="font-size:8;"><span style="font-size:100%;"></span></span></span></p><p><span style="font-size:100%;"><span style="font-size:8;"><span style="font-size:100%;"><span style="font-size:85%;color:#999999;"></span></span></span></span></p><p><span style="font-size:100%;"><span style="font-size:8;"><span style="font-size:100%;"><span style="font-size:85%;color:#999999;"></span></span></span></span></p><p><span style="font-size:100%;"><span style="font-size:8;"><span style="font-size:100%;"><span style="font-size:85%;color:#999999;"></span></span></span></span></p><p><span style="font-size:100%;"><span style="font-size:8;"><span style="font-size:100%;"></p></span></span></span><p class="MsoListParagraph" face="arial"></p><p class="MsoListParagraph" face="arial"></p><p class="MsoListParagraph" face="arial"></p><p class="MsoListParagraph" face="arial"></p><p class="MsoListParagraph" face="arial"></p><p class="MsoListParagraph" face="arial"></p><p class="MsoListParagraph" face="arial"></p><p class="MsoListParagraph" face="arial"></p><p class="MsoListParagraph" face="arial"> </p><p class="MsoListParagraph" face="arial"><br /> </p><p class="MsoListParagraph" face="arial"></p><p class="MsoListParagraph" face="arial"></p><p class="MsoListParagraph" face="arial"></p><p class="MsoListParagraph" face="arial"></p><p class="MsoListParagraph" face="arial"></p><p class="MsoListParagraph" face="arial"></p><span style="font-size:100%;"><span style="font-size:8;"><span style="font-size:100%;"><p class="MsoListParagraph" face="arial"></p><p class="MsoListParagraph" face="arial"></p><p class="MsoListParagraph" face="arial"><br /><span style="color:#999999;"><span style="font-size:85%;">策展人</span><br /></span>蔡佩珊<br /><br /><span style="color:#999999;"><span style="font-size:85%;">參展藝術家</span><br /></span>牛俊強 / 余政達 / 韋至恆 / 徐思穎 / 阿維塔.納尼 /艾芙芮特.凱頓/ 棠娜.蕾芙 雷夫奈特 /蕾.歐帕茲 / 梅塔爾.凱茲 / 納維.伊茲哈 / 歐哈.曼塔隆<br /><br /><br /><span style="color:#999999;">日期</span> <strong>2008, 7/18-27 10:00-18:00</strong></p><p class="MsoListParagraph" face="arial"></span></span></span></p><p class="MsoListParagraph" face="arial"><span style="font-size:100%;"><span style="font-size:8;"><span style="font-size:100%;"><span style="color:#999999;">開幕</span> <span style="color:#cc0000;">07/18 (Fri.) 19:30 丁禹仲/殭屍隊長</span><br /><span style="color:#999999;">座談</span> <span style="color:#cc0000;">07/20 (Sun.) 14:00 宋國誠 ╳ 黃建宏【後殖地的影像對鏡】</span></p></span></span></span><p class="MsoListParagraph" style="FONT-FAMILY: arial"><span style="color:#999999;">地點</span> <strong>華山藝文中心 中1A高塔區品控股</strong><br /><span style="font-size:78%;">台北市中正區八德路一段一號<br />捷運:板南線忠孝新生站一號出口,步行約 5 分鐘。<br />公車:202 、 205 、 212 、 232 、 262 、 276 、 299 、 605 審計部站下車,步行約 3 分鐘。<br /></span><br /><span style="font-size:85%;">贊助單位 財團法人國家文化藝術基金會 台北市文化局<br />感謝 以色列經濟文化辦事處</span><br /></p><br /><p class="MsoListParagraph" style="FONT-FAMILY: arial"><span style="color:#666666;"><span style="font-size:130%;color:#990000;">(Borderline . Mirrorlike)</span><br /></span><span style="color:#999999;">2008 Taiwan ╳ Israel Young Artists Interchange Exhibition</span><br /><br /><span style="color:#999999;">Curator</span> Tsai, Pei-Shan</p><p class="MsoListParagraph" style="FONT-FAMILY: arial"><span style="color:#999999;">Artists:</span><br /><em><span style="color:#c0c0c0;">Taiwan</span></em> Niu, Chun-Chiang / Yu, Cheng-Ta / Wei, Chih-Heng / Hsu, Szu-Ying<br /><em><span style="color:#c0c0c0;">Israel</span></em> Avital Cnaani / Efrat Kedem / Dana-Lev Levnat / Leigh Orpaz / Meital Katz Minerbo / Nevet Yitzhak / Ohad Matalon<br /><br /><strong>Date: 07/18-27 10:00-18:00</strong><br />Reception: 07/18 (Fri.) 19:30 Ding, Yu Zhong/ Captain Zombie<br />Forum: 07/20 (Sun.) 14:00 Kuochen Sung × Huang, Chien-hung 【The Mirroring of Post-Coloniality】<br /><br />Venue: <strong>Huashan Culture Park</strong></p><p class="MsoListParagraph" style="FONT-FAMILY: arial"><span style="font-size:85%;">No. 1 Pate (Bade) Road Section 1, Taipei City</span><br /><span style="font-size:85%;">By MRT: Take the Blue Line to Shandao Temple station and use Exit 6, or to Zhongxiao Xinsheng station and use Exit 1. The walk to the Park is about 5 minutes<br />By Bus: Take No. 202, 205, 212, 232, 257, 262, 276, 299, 605 then get off at the ‘Ministry of Audit' stop. The walk to the Park is about 3 minutes.<br /></span><br /></p><span style="font-size:100%;"></span><span lang="EN-US"><?xml:namespace prefix = o /><o:p></o:p></span>Taiwan-Israelhttp://www.blogger.com/profile/07260608420076148645noreply@blogger.com0tag:blogger.com,1999:blog-7079676972011757535.post-45284457434987740612008-07-08T17:23:00.000-07:002008-07-08T17:30:12.120-07:007/18開幕表演 Reception -- 丁禹仲 Ding, Yu Zhong<span style="font-size:130%;"><strong><span style="color:#999999;">你是我的假想敵</span></strong><br /></span><br />當一個小小的橡皮筋順著你的方向對你展開發射的那一刻,我們能做什麼?<br />我喜歡故意去處理一種軟性的假衝突狀況,我想這是對衝突所想像的一種幽默玩笑,在這裡我相信去假想一個相互敵對的行為當中,透過遊戲的模式去製造一個衝突的機會可以打破一種只有在人與人相處之間才會出現的那種令人不安的搖擺, 有可能在不停地發射橡皮筋當中,我們的位置也會不停的被切換,趨進一種真正現實生活中不太能對峙的狀態過程.<br /><br /><span style="color:#666666;"><strong>You are my imaginary opponent</strong></span><br /><br />At the moment when a small rubber band is shooting toward you, what can we do?<br />I deliberately like to deal with some kind of hypothetical circumstance of conflicts ,<br />Which is imagined to be a ground where a kind of humorous joke can be made.<br />I believe that in imagining a mutually rival behavior, through the modes of games to produce the possibility of having conflicts, can break the uneasy precariousness that uniquely happens in people’s contact with one another.<br />It is possible that through the ways of shooting rubber bands continuously,our position<br />would be intersected and crisscrossed incessantly hence approaching a situation that cannot be<br />opposed in the reality of life.<br /><br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhreHOpysBuOtv67I1hGvB4ePh08QPkhigDiREQWMWZLbrVKsN1KIuf_hxZefWlgWA3CwzRrQXA6NNCVx7_dLQJfIrhwKhFUUi_3i4pTm3eLdBGgEq5Wgim0uG6NghJish-5_oGEEcA3MPW/s1600-h/2.bmp"><img id="BLOGGER_PHOTO_ID_5220804738185366866" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhreHOpysBuOtv67I1hGvB4ePh08QPkhigDiREQWMWZLbrVKsN1KIuf_hxZefWlgWA3CwzRrQXA6NNCVx7_dLQJfIrhwKhFUUi_3i4pTm3eLdBGgEq5Wgim0uG6NghJish-5_oGEEcA3MPW/s320/2.bmp" border="0" /></a><br /><strong><span style="color:#999999;"></span></strong><br /><strong><span style="color:#999999;"></span></strong><br /><strong><span style="color:#999999;"></span></strong><br /><strong><span style="color:#999999;"></span></strong><br /><strong><span style="color:#999999;"></span></strong><br /><strong><span style="color:#999999;"></span></strong><br /><strong><span style="color:#999999;"></span></strong><br /><strong><span style="color:#999999;"></span></strong><br /><strong><span style="color:#999999;"></span></strong><br /><strong><span style="color:#999999;"></span></strong><br /><strong><span style="color:#999999;"></span></strong><br /><strong><span style="color:#999999;"></span></strong><br /><strong><span style="color:#999999;"></span></strong><br /><strong><span style="color:#999999;"></span></strong><br /><strong><span style="color:#999999;"></span></strong><br /><strong><span style="color:#999999;"></span></strong><br /><br /><strong><span style="color:#999999;">丁禹仲</span></strong><br /><br />1982生於台北<br />2008現就讀台南藝術大學 造形藝術研究所<br /><br />2008<br /><br />手心手背心肝寶貝 慶中藝術特區 台南<br />美麗水果盤 新竹鐵道藝術村 新竹<br />魔力小馬 台南藝大視覺館 台南<br />愛或浴火鳳凰 台南藝大視覺館 台南<br /><br /><br />2007<br /><br />快閃迷你 台灣新藝 台南<br />只為了一個小感覺 台南藝大視覺館 台南<br />台灣國際行為藝術節 牯嶺街小劇場 台北<br />中國現場黑白動物園 華山創意文化園區 台北<br />蝕 行為現場 牯嶺街小劇場 台北<br />新潮實驗室 牯嶺街小劇場 台北<br /><br /><br />2006<br /><br />台灣日本行為藝術交流 南海藝廊 台北<br />行為藝術馬拉松 牯嶺街小劇場 台北<br />3國4人行為現場 樹屋藝術空間 屏東<br />脫洗擦穿梳 豆皮文藝咖啡館 高雄Taiwan-Israelhttp://www.blogger.com/profile/07260608420076148645noreply@blogger.com0tag:blogger.com,1999:blog-7079676972011757535.post-90577357336627670532008-07-08T17:16:00.000-07:002008-07-08T17:21:56.820-07:007/18開幕表演 Reception -- 殭屍隊長 Captain Zombie抽痛與悸動在受到突然的刺激,變成了抽動,持續著那麼幾下。"<br />"於是變成了活死人。<br /><br /><br /><span style="color:#999999;"><strong>浦獺</strong></span><br />由於師傅說矇了面的武功看起來都比較高而無可救藥地沈迷於匿名演出。<br />對人際關係缺乏自信心,躲在螢幕背後比較有安全感。<br />迷戀雜訊音牆、次文化取樣以及錯置誤用。<br /><br /><br />2007 6月 越耳噪音 南海藝廊 as 雜音戰隊<br />2007 12月 失聲祭 南海藝廊 as 獨腳鬼<br />2008 1月 超響 牯嶺街小劇場 as 電腦控制學兄弟<br /><br /><br /><br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTgaBE-U3zPg8KkXKU9Vyu_6alZT3G7xXkezl87vs6shl3CqZgbZajc-fWSGhV8keh89T3KIAZG_Ky7v2z9TeoOtjXEEgQ12ntTS_QKbfbtcIo-ZjxVAKawUE54cdEcbiHDgNNqHp9lHOS/s1600-h/%E5%9C%96%E7%89%87+34.png"><img id="BLOGGER_PHOTO_ID_5220802019719870738" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTgaBE-U3zPg8KkXKU9Vyu_6alZT3G7xXkezl87vs6shl3CqZgbZajc-fWSGhV8keh89T3KIAZG_Ky7v2z9TeoOtjXEEgQ12ntTS_QKbfbtcIo-ZjxVAKawUE54cdEcbiHDgNNqHp9lHOS/s320/%E5%9C%96%E7%89%87+34.png" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="color:#666666;"><strong></strong></span><br /><span style="color:#666666;"><strong></strong></span><br /><span style="color:#666666;"><strong>Captain Zombie</strong></span><br />After a sudden provoking ,sorrow and palpitation turned to twitching for a while.<br />And I become a DEAD-ALIVE.<br /><br /><br /><span style="color:#999999;"><strong>Puta</strong></span><br />Due to the instruction by the Master Shi-fu that everyone seems more powerful and stronger while masked, I indulge in anonymous performance.Lacking in interpersonal relationships, I gain more safety behind the computer display.The sonic wall of white noise, sample of subculture, as well as malapropism and pun, are which I'm addicted to.<br /><br />2007 Jun "Dullcet Noise" as Powder Rangers at Nan-hai gallery<br />2007 Dec "Lacking Sound Festival" as Unighost at Nan-hai gallery<br />2008 Jan "Transonic" as Cybernetical Brothers at The Guling St. Avant-garde TheatreTaiwan-Israelhttp://www.blogger.com/profile/07260608420076148645noreply@blogger.com1tag:blogger.com,1999:blog-7079676972011757535.post-57410217150651363352008-07-08T17:08:00.000-07:002008-07-08T17:14:34.946-07:00歐哈.曼塔隆<span style="color:#666666;"><strong>〔p.o.v〕 〔遙控〕〔雪倫和羅依.柯葉特.馬拉奇〕</strong></span><br /><strong><span style="color:#666666;"></span></strong><br /><br /><br />我的作品執著於是傳統文件式的攝影,還有他們所試圖維護這種諾言的真相。<br /><br />當然幾乎所有的作品有不同層次的創作方式和解讀:一些是用舞台戲劇的方式拍攝,有一些是用臨時演員,而其他則可能是用完全鋪陳架設好的方式拍攝,有另外一些是在偶遇的機緣下,也有半鋪陳架設好舞台性質的作品。有很多作品是利用電腦完成了一些在同一情況下所拍攝的極少量但不同的照片和畫面。<br /><br />這些作品對於我來說,是視覺的努力和激盪,透過一些外在的,圍繞著生存於這個區塊內的生命經驗線條,試圖要去圍繞這區塊的「存在」經驗,描繪一張複雜的以色列的身分綜合面相。這些外在線條是涵括了社會學、地理誌學以及與政治學式的邊界。<br /><br /><br /><br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiKpuwwkBSbp4AdsFnEMx4MbHMIQOCCOC97VsUOMhFyBp400V2tf9LUpKAWNtOakBGGMSXJ28h37a2RivIjh2j9YurvBIfPVGe7Qyl1nsz1nW1ij6lEoCoYJ38BIylnAchz14lKNqr4Nrp/s1600-h/Remote+control.jpg"><img id="BLOGGER_PHOTO_ID_5220800446181334882" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiKpuwwkBSbp4AdsFnEMx4MbHMIQOCCOC97VsUOMhFyBp400V2tf9LUpKAWNtOakBGGMSXJ28h37a2RivIjh2j9YurvBIfPVGe7Qyl1nsz1nW1ij6lEoCoYJ38BIylnAchz14lKNqr4Nrp/s320/Remote+control.jpg" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />〔Remote control〕120*120cm<br /><br /><br /><br /><br /><br /><br /><strong><span style="color:#666666;">Short Artist statement concerning all 3 works – Ohad Matalon</span></strong><br /><br />The commitment of my works is to traditional documentary photography, as well as the kind of promise for truth they try to maintain.<br /><br />Of course most of the works were made with different levels of interference, some are using extras and are fully staged, others are spontaneous response to situations I run into, some are half staged. Many works were composed in the computer from few different frames I photographed of the same situation.<br /><br />The works for me, are a visual effort to draw the complex face of the Israeli identity, through the external lines which surround the experience of "being" in this zone.<br /><br />This external lines are the sociological, geographical & political borders\margins.<br /><br /><br /><br /><br /><br /><strong><span style="color:#999999;">Ohad Matalon</span></strong><br /><br />Born 17.10.1972<br /><br />Mail <a href="mailto:ohad.matalon@gmail.com">ohad.matalon@gmail.com</a><br /><br />Education:<br /><br />2005-2007 study for M.F.A at "Bezalel" " academy of art and design Tel-Aviv.<br /><br />2003-2005 study for M.A. philosophy at the Tel-Aviv university.<br /><br />1997-2001 B.F.A photography at the "Bezalel" Jerusalem.<br /><br /><br />Solo Exhibitions:<br /><br />2005 Haifa museum of art.<br /><br />2001 Dvir gallery, Tel-Aviv.<br /><br /><br />Selected Group exhibitions:<br /><br />2008 “Post minimalism” at the Herzelia Museum of art<br /><br />2007 Tribute to Rafi Lavi Midrasha gallery Tel Aviv<br /><br />“Cable realease” Midrasha gallery Tel Aviv<br /><br />Winners of Prices from the ministry of culture Petach-Tikva Museum of Art<br /><br /><br /><br />Awards:<br /><br />2006 “Young Artist” award from the Ministry of culture & education.<br /><br />2005 Citation at the young photographer competition of Haifa Museum of Art.<br /><br />2002 "Mifal Hapais" award – first portrait<br /><br />About 50 Works are in the collections of Tel-Aviv museum of art, Haifa Museum of art, Ein-Hod Museum, Mishkenot Shaananim, and the rest in private collections in Israel and Abroad. Live and work in Jaffa.Teach photography at the “Bezalel” Academy for art & design Jerusalem.Taiwan-Israelhttp://www.blogger.com/profile/07260608420076148645noreply@blogger.com0tag:blogger.com,1999:blog-7079676972011757535.post-35248443965769029932008-07-08T16:47:00.000-07:002008-07-08T17:07:07.054-07:00納維.伊茲哈 [「延遲」ㄧ個影像的音樂會 ]<span style="color:#999999;">四頻道錄像裝置</span><br /><br />我選擇了一段古典音樂的排演片段,來作為創作的內容,這段音樂的排練片段是來自於一位以色列的音樂家Philharmonic Orchestra。我利用了攝影機記錄了這段排演後,在經過個人的數位編輯,去解構了這段內容,以自己的形式在重新建構這段影像,來呈現一件「新的視覺化的音樂作品」。這件作品的靈感是來至於創作者聆聽一段古典樂的經驗,及對於樂器所譜出來的樂曲的感動。因此,創作者透過了「音樂」與「錄像」這兩個媒介,來處理聲音與影像之間的相互作用與發展,試圖取以四個螢幕再造出一個音樂的四重奏。<br /><br />我希望透過這一段古典樂製造出來的迴音,去給予觀者一種「疏離感」與「失落感」。因為當人們暴露在這個影像裝置面前,以四個螢幕和聲音系統來傳達一個狀似音樂排演的影像,而音樂的排演本身就是一件容許失敗、一次又一次的練習、力求完美才能達到心中追求的目的,弔詭的是創作者利用這樣既定的感官經驗,以個人的重新詮釋這件作品,去探討人們在面臨這件作品所受到的心理層面影響。<br /><br />作品的內容架構是在呈現一位音樂家在演奏樂器時的一種停滯、延遲的狀態,鏡頭定在一個「動作」的表演中,這是一個「循環音像錄影」的內容,去製造出一個看似協調的氛圍給予觀者。此外,這個影像當中還有一個特色,因為是音樂的排演,同時在這影片裡會收錄到人們在說話的聲音,或者是搬椅子發出來的尖銳聲音等,相較於古典樂的表演當中,這些吵雜的聲音,是我期待要出現在這段影像當中的。<br /><br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhEA5nHz1wV-VZ61NkK7vG3ytSZwq9V7cnhAiPO3LnEAmhO3QampZTsX5TMO1miEvrHlN9lblnapftBVa2Sv-uWsnXFKCiNpsT6kuDvcavAgABdkF-jLVOVZM5GzcoyHVeFtINF-2HUYT6/s1600-h/strip1.jpg"><img id="BLOGGER_PHOTO_ID_5220797209691737282" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhEA5nHz1wV-VZ61NkK7vG3ytSZwq9V7cnhAiPO3LnEAmhO3QampZTsX5TMO1miEvrHlN9lblnapftBVa2Sv-uWsnXFKCiNpsT6kuDvcavAgABdkF-jLVOVZM5GzcoyHVeFtINF-2HUYT6/s320/strip1.jpg" border="0" /></a><br /><br /><strong></strong><br /><br /><strong></strong><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCSVyWMYzdLHq0hBQIViDYsH9GVWIIBA1it4WyWRVRfWBhcLT0cYwzAWVaJFVK-UUy4rpPC5iDIVaA7J7P_XODVNAQyYDdK6-USilOU_7nLPNwLB93Q4reLCb7IqquV29Jhu2MN9CN-GA4/s1600-h/strip2.jpg"><img id="BLOGGER_PHOTO_ID_5220797420722559490" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCSVyWMYzdLHq0hBQIViDYsH9GVWIIBA1it4WyWRVRfWBhcLT0cYwzAWVaJFVK-UUy4rpPC5iDIVaA7J7P_XODVNAQyYDdK6-USilOU_7nLPNwLB93Q4reLCb7IqquV29Jhu2MN9CN-GA4/s320/strip2.jpg" border="0" /></a><br /><strong></strong><br /><br /><br /><strong></strong><br /><strong></strong><br /><strong></strong><br /><br /><strong>Schneckentempo - A Video Concert</strong><br /><span style="font-size:85%;">4 channels video Installation By Nevet Yitzhak</span><br /><br />In the present project (Schneckentempo - A Video Concert) I am using classical materials, a filmed documentation of the rehearsals of the Israel’s Philharmonic Orchestra. I am deconstructing and reconstructing them in my own way (mainly by editing short pieces into loops and contructing them in layers). The digital editing and processing transforms the rehearsals into a new visual-musical work that is presented to the viewer via 4 television screens, located as an alternative to a human orchestra. The new piece is inspired by the traditional classical concert experience and is constructed from acoustic instruments. The two mediums, music and video, support each other so that a new and a special relationship develops between the sounds and the visual images. The orchestration exists also between the monitors that function as musicians in a quartet.<br /><br />The viewers don’t experience the acoustic sound as produced by man, but are exposed to digitalized and manipulated materials which are presented through monitors and sound systems. In the classical concert the musician produces acoustic sounds through instruments which are manufactured according to a long lasting tradition. In contrast, in the video concert the images are only representations that lose their concrete quality, and the sounds which are processed by a computer lose their authenticity. Nevertheless, the new sounds and compositions are real and perceptible and are mentally effective just like any sound manufactured by a conventional orchestra. This way, the composition echoes classical traditions with a feeling of alienation and the feeling of loss as well.<br /><br />The camera that documents the live musicians playing during the concert rehearsals is static, so that the frame is set and only the musical instruments and musicians are moving. The camera sets the bounds of the compositions and the musicians set the movement in space. As a result the viewer’s experience is one of harmony between the movement in the frame and the sounds played at the same moment. However, the sound that is recorded by the camera is the sound constructed by the sum of the sounds from all the playing instruments at the same moments and background sounds as well. The visual correlation between the images and the sounds is a result of the use of looping.<br />In addition, in the rehearsal there’s a mood of practice, forgivingness toward mistakes and lack of control. As a result of this atmosphere, sounds that were not produced by the instruments are added to the recording (for example, a screech of a chair, talking, the instructions of the conductor etc..). In contrast to classical performence all of those noises and exessive sounds are desired components in the video concert.<br /><br /><br /><br /><br /><span style="color:#999999;"><strong>Nevet Yitzhak</strong></span><br /><br />Born in Israel, 1975<br />Lives and works in Tel Aviv<br /><br />Education<br />2007 - - hebrew culture - Alma College<br />2005 - 2007 - advance studies program in fine art - Bezalel Academy of Arts & Design<br />2000 - 2003 - new media - Musrara School of Photography,New Media & New Music<br />1996 - 1997 - photography - Hadasa College<br /><br />scholarships & Awards<br />2005 America Israel Cultural Foundation – Scholarship<br />2006 Bezalel - Scholarship for Excellence in Studies<br />2007 Bezalel - Scholarship for Excellence in Studies<br /><br />Exhibitions, festivals & workshops<br />2006 “Czechpoint” – International Exhibition & Festival of Political Art, Prague<br />2006 “Musraramix 06” - International Featival for Art & Culture, Jerusalem<br />2006 “Vacation” - Group Exhibition, Tarbut High School Gallery, Rishon Letzion<br />2006 “Laptopia” - International Experimental Art Festival, Tel Aviv<br />2006 “Hagolem” – Art Event, The Lab Theatre, Jerusalem<br />2006 “Vdance” – International Video Dance Festival, Tel Aviv<br />2006 “Goods to Declare”, MFA International, Terminal1, Tel Aviv<br />2007 “Salame 007”, Graduate MFA Show, Bezalel Gallery, Tel Aviv<br />2007 The 24th International Film Festival, Jerusalem, Experimental Films Competition<br />2007 “Ketzev” - Group Exhibition, Art Residence, Hulon<br />2007 “Open-Space” – International Workshop, Kassel, Germany<br />2007 ctrl_alt_del sound-art festival, organized by <a href="http://nomad-tv.net/">NOMAD</a>, concurrent with the 10th Internationa Istanbul Biennial, Istanbul, Turkey<br />2008 “If” Istanbul AFM International Independent Films Festival, programme of animations and short film out of NOMAD archive, Istanbul, Turkey<br />2008 “hochmat rechov” - Group Exhibition, Mishkenot Shaananim gallery, JerusalemTaiwan-Israelhttp://www.blogger.com/profile/07260608420076148645noreply@blogger.com0tag:blogger.com,1999:blog-7079676972011757535.post-57787606917450441892008-07-08T16:30:00.000-07:002008-07-08T16:46:55.897-07:00梅塔爾.凱茲<span style="color:#666666;"><strong><span style="color:#666666;">[ 搜尋“在-之間“ --兩地之間的空間,或者剩餘之地 ]</span></strong><br /></span><br /><br />暹羅雙胞胎是我搜尋“在-之間“概念時,最原本、初始的影像。這暹邏生物是一種”未完成”的生物,不完整卻又是雙數,如他的身軀,在連結這兩造的中介之地便是我想探求的,也就是,兩者的連接之處便是我所謂的那地方。<br />遍佈於歷史記載的暹羅雙胞胎乃是透過類目錄的科學攝影照片而致,這是將此案例視為一種現象,一個可研究的客體。在我的看法中,暹邏雙身的特質創造了一種物件,這物品鏈結他雙身的概念而有雙數的配備,在設計歷史中是一非常普遍的人工物品。有兩個或三個共坐座位的扶手椅,可攤開誠兩個或雙倍數書架的背靠背桌子。順著此暹邏客體群組的概念,另外也還有另一種不同類型的雙身物件,它混合了兩種卓越的形制,這乃是將兩者以有意義的定義連結觀點聚匯在一起。<br />這研究在以迅捷的繪畫技術覆蓋有”縱深”的白色畫布表面時完成,白畫布之所以有縱深乃是因為它令人想起為了記載目的的相片中那無盡處的背景。白背景不僅僅只是一方令人無窮想像之地,它本身也是”在-之間”:一方無能掌控之地,同時它可有深度亦可平淺,而此些都無意於表達出明確清晰。白背景表面的功能就像是培養皿,繪畫的行為於此好比培養皿中反應、流動、擴張、分離出紅血球的動作,融合不同的繪畫技巧而在白畫布中創造出形體。<br /><br /><br /><br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQ4_OwDwBrxk6UImP-q1c1A5EGeyx723H-R2DrLuMk4P8Drzo_ep0_Fl6yrKFYqt_h0i6iGu0Q6RRQDCoG_74RhjoCbTGqSWk8apULJL5ZOaR1wOg1nZDjWJMQ3w_fiW6LebBiHNhIGtHo/s1600-h/Rizmantwo,ink+and+water+color+on+paper,+21+x+29.7+cm.,2008..jpg"><img id="BLOGGER_PHOTO_ID_5220791822207589538" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQ4_OwDwBrxk6UImP-q1c1A5EGeyx723H-R2DrLuMk4P8Drzo_ep0_Fl6yrKFYqt_h0i6iGu0Q6RRQDCoG_74RhjoCbTGqSWk8apULJL5ZOaR1wOg1nZDjWJMQ3w_fiW6LebBiHNhIGtHo/s320/Rizmantwo,ink+and+water+color+on+paper,+21+x+29.7+cm.,2008..jpg" border="0" /></a><br /><br /><span style="font-size:85%;color:#666666;"></span><br /><span style="font-size:85%;color:#666666;"></span><br /><span style="font-size:85%;color:#666666;"></span><br /><span style="font-size:85%;color:#666666;"></span><br /><span style="font-size:85%;color:#666666;"></span><br /><span style="font-size:85%;color:#666666;"></span><br /><span style="font-size:85%;color:#666666;"></span><br /><span style="font-size:85%;color:#666666;"></span><br /><span style="font-size:85%;color:#666666;"></span><br /><span style="font-size:85%;color:#666666;"></span><br /><span style="font-size:85%;color:#666666;"></span><br /><span style="font-size:85%;color:#666666;"></span><br /><span style="font-size:85%;color:#666666;"></span><br /><span style="font-size:85%;color:#666666;"></span><br /><span style="font-size:85%;color:#666666;"></span><br /><span style="font-size:85%;color:#666666;"></span><br /><br /><br /><br /><span style="font-size:85%;color:#666666;">〔Rizmantwo〕,ink and water color on paper, 21 x 29.7 cm.,2008. </span><br /><span style="font-size:85%;color:#666666;"><br /></span><br /><strong><span style="color:#999999;">In search for the in-between, a space between two places, or a residue of a place.</span></strong><br /><br /><br />The Siamese twins are the primary, initial image, from which and in which I look for the in-between. The Siamese creature as an “unfinished” creature, incomplete and yet double, contains in its body, in the conjunction of the two, the intermediate place I wish to explore. The connection as a place.<br />The representation of Siamese twins throughout history was done through catalogic-scientific photography, which treats the case as a phenomenon, an object for research. The characterization of the Siamese creature as an object associated it in my mind with the double furniture – a very common artifact in the history of design.<br /><br />Armchairs with two or three joined seats, a table which unfolds into two or a double bookcase conjoined back to back. Alongside the group of Siamese objects there is also a different kind of double objects, which amalgamate two distinguished forms that meet in a meaningful defining connecting point.The search is done in a technique of quick painting over a “deep” white surface,which brings to mind the endless background in photographs for catalogues. The white of the background is not only a suggestion of a place, it itself is that in-between: a blind place, deep and flat at the same time, which has no interest in being unequivocal. The surface of the white background functions as a Petri dish<br />where the paint behaves like a culture that reacts, flows, expands and divides into corpuscles, which merge to create a shape.<br /><br /><br /><strong><span style="color:#999999;">Meital Katz Minerbo<br /></span></strong><br />Born in Israel in 1974, at the age of 1 year moved to Venezuela with my<br />parents, where I was raised and educated. In 1995 I returned to Israel.<br />Education<br />2005-2007 Master of Fine Arts (MFA), Bezalel Academy of Arts and<br />Design, Israel.<br />1996-2000 Bachelor in Art and Education. Beit Berl College of Art, Israel.<br />1991-1994 Instituto de Diseño de Caracas, Venezuela.<br /><br /><br />Solo Exhibitions<br /><br /><br />2005<br />“Home survivors”. Janco Dada Museum, Ein Hod.<br />“A foreign birthday * Version 1”. Beit Berl College of Art Gallery,Kfar-Saba.<br />Group Exhibitions<br />2007<br />“Bad Education”, Hakita Gallery, Tel Aviv.<br />“Artik 9”, Tel Aviv University Gallery, Tel Aviv.<br />“New exhibition at Alon Segev Gallery”, Alon Segev Gallery, Tel Aviv.<br />“Salame 007”, Graduate Show, Bezalel Academy of Arts and Design.<br />Master of Fine Arts program. Tel Aviv.<br />2006<br />“Half Pension”, Braverman Gallery / By Art. Tel Aviv.<br />“Bezalel 100 / Terminal 1”, “Goods to Declare, MFA International”,<br />100 years to Bezalel Academy of Arts, Ben Gurion Airport, Israel.Collections:<br /><br />Awards:<br />Sharett Scholarship for young Israeli Artists,<br />2006-2008, America-Israel Cultural Foundation.<br />OPEN SPACE, 22.07.07 - 30.07.07 / International Workshop for Art<br />Academies School for Art and Design, Kassel, Germany.<br /><br /><a href="mailto:Minerbo@gmail.com">Minerbo@gmail.com</a>Taiwan-Israelhttp://www.blogger.com/profile/07260608420076148645noreply@blogger.com0tag:blogger.com,1999:blog-7079676972011757535.post-71231695525149341742008-07-08T16:16:00.000-07:002008-07-08T16:27:27.157-07:00蕾.歐帕茲 [ Untitle]我剛開始是被一種受擾亂的官能障礙所吸引。<br />這兩張攝影是被安排而成,我創造一個奇幻的空間,那裡因為物件的分散造成一種停止的感覺。<br /><br />照片是滿溢跟滲透的,超出容器的邊緣,甚至快要滴出來;怪異卻也奇妙,不舒服卻又美麗。作品構圖中在相對立的感知上造成衝突:觀者在這裡面是受到限制的,好像處在一個模糊的空間。<br /><br />每張攝影照片都像是一個事件,有些事件的美麗都是刻意照料而成的,而人為的痕跡在此些神奇蒸發散去後便慢慢浮現。<br />在影像的響聲、被運用的抉擇、按照攝影要求的相似客體物件之中,我理見了其豐富性,或許,有些扭曲誤解的類型,但在這些攝影照片表達了事件的聲望值得存疑的片刻。<br /><br />我攝影作品的存在就像是在電冰箱裡面的燈。<br /><br /><br /><br />My initial attraction is to dysfunction- a disturbance.<br />The photographs are staged and in them i create a magical place where the object becomes alienated and a feeling of standstill is achieved.<br />The photograph is overflowing and saturated, filled to the brim, almost dripping, it is strange and wonderful, repulsive and beautiful. It is composed of clashes between opposite sensations: the viewer is trapped between them as in the twilight zone.<br />each photograph is an accident, something beautiful that was spoiled, and<br />when the magic evaporates the artificial lingers on.<br />I see great richness in the images of the cheep, the choice of used, familiar<br />objects which demand, perhaps, some sort of perversion and which attain in the photograph a questionable moment of fame.<br />The existence of my photographs is like the light in the fridge.<br /><br /><br /><br /><br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRzg35Va3LxHLMp0a-YhB5KCq5DYWT5RUdIX8qvPXO7dnDzNpJ-eR5t7JEDvOUgTVwTel_gSNG1K_PlfA-AQLyCw0LQ9otJyq9DB9lPCQ9ziHAjhFo5H3lk5XeesHyiRRKomEarT1c9VRw/s1600-h/L1000921.jpg"><img id="BLOGGER_PHOTO_ID_5220787491136600466" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" height="198" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRzg35Va3LxHLMp0a-YhB5KCq5DYWT5RUdIX8qvPXO7dnDzNpJ-eR5t7JEDvOUgTVwTel_gSNG1K_PlfA-AQLyCw0LQ9otJyq9DB9lPCQ9ziHAjhFo5H3lk5XeesHyiRRKomEarT1c9VRw/s320/L1000921.jpg" width="350" border="0" /></a><br /><br /><br /><br /><strong><span style="color:#999999;"></span></strong><br /><strong><span style="color:#999999;"></span></strong><br /><strong><span style="color:#999999;"></span></strong><br /><strong><span style="color:#999999;"></span></strong><br /><strong><span style="color:#999999;"></span></strong><br /><strong><span style="color:#999999;"></span></strong><br /><strong><span style="color:#999999;"></span></strong><br /><strong><span style="color:#999999;"></span></strong><br /><br /><span style="font-size:85%;color:#666666;">[ Untitle ] Digital Print /120* 67.5cm</span><br /><br /><br /><br /><strong><span style="color:#999999;">Leigh Orpaz</span></strong><br /><br />Education:<br />"Bezalel Academy of Art and Design" Master of Fine Arts, Department of Art and Photography, 2005 -2007 .<br />"Bezalel Academy of Art and Design" Bachelor of Fine Arts, Department of Photography, 1999 – 2003.<br />"open space-kassel" international workshop for art students, 2007.<br />Prizes and Awards<br />Excellence Scholarship from 2002<br />Excellence Scholarship from 2006<br />Excellence Scholarship from 2007<br /><br />Solo Exhibitions:<br />"Minshar" Gallery, Tel-Aviv, Israel, January 2006.<br /><br />Group Exhibitions:<br /><br />Graduate Exhibition "Bezalel Academy of Art and Design", M.F.A program Tel -Aviv,<br />June 2007.<br /><br />"The Holiday", "Nadav Rosno Gallery”, Rishon Lezayon, Israel, April 2006.<br /><br />"You Don't Look Hungry" - Discussing the Social and Economical Situation in Israel.<br />"Limbus" Gallery, Tel Aviv, Israel, November 2004.<br /><br />"People of Hope" - Troubled Neighborhood in Tel Aviv, International Student Film Festival, Cinematheque of Tel-Aviv, Tel-Aviv, Israel, June 2004.<br /><br />"Haashkenazim", "Hamidrasha" Gallery, Tel-Aviv, Israel, February-April 2004.<br /><br />Graduate Photography Exhibition, "Bezalel Academy of Art and Design", Jerusalem, Israel, July 2003.Taiwan-Israelhttp://www.blogger.com/profile/07260608420076148645noreply@blogger.com0tag:blogger.com,1999:blog-7079676972011757535.post-63046299263062842742008-07-08T16:07:00.000-07:002008-07-08T16:15:16.013-07:00艾芙芮特 .凱頓 [Heart 2007 ]“Heart 2007”此件作品為一件由五百個空心塑膠集製的窗型裝置。在這件作品中我的關注點是找尋出逃脫日常生活思考模式的議題。<br />在我作品中有相當大的部份是建立在結構性語言以及動機的基礎上,我試圖創造出關注且含納了人類身軀的價值和準則的客體物件,這並非以直接指涉的途徑,而是以一種不直接、不普遍的方法暗示且標明著身體。<br /><br /><br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7DpgVoY6z_WA3xzaQy5ZqQK5seo2qd4nKksy9OP8Ahl3ixNofsmTVIrtVQBRpyTQHebCuND7CfHNo5t5i-grG-0e1a0BZ3sTX0sd7jL56Py6CjRJGBE1Z3ehJFNEYJx_Um7S36Ju2hyphenhyphenVc/s1600-h/00001.jpg"><img id="BLOGGER_PHOTO_ID_5220784797751494354" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 336px; CURSOR: hand; HEIGHT: 210px" height="206" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7DpgVoY6z_WA3xzaQy5ZqQK5seo2qd4nKksy9OP8Ahl3ixNofsmTVIrtVQBRpyTQHebCuND7CfHNo5t5i-grG-0e1a0BZ3sTX0sd7jL56Py6CjRJGBE1Z3ehJFNEYJx_Um7S36Ju2hyphenhyphenVc/s320/00001.jpg" width="449" border="0" /></a><br /><br /><span style="font-size:85%;color:#666666;"></span><br /><span style="font-size:85%;color:#666666;"></span><br /><span style="font-size:85%;color:#666666;"></span><br /><span style="font-size:85%;color:#666666;"></span><br /><span style="font-size:85%;color:#666666;"></span><br /><span style="font-size:85%;color:#666666;"></span><br /><span style="font-size:85%;color:#666666;"></span><br /><span style="font-size:85%;color:#666666;"></span><br /><span style="font-size:85%;color:#666666;"></span><br /><br /><br /><span style="font-size:85%;color:#666666;"></span><br /><span style="font-size:85%;color:#666666;">Heart 2007, window installation,2007</span><br /><br /><br /><br />The work "heart"2007" –is a window installation, made from 500 plastic vacuum.My interest in that work was finding Getaway thinking from every day's issues.<br />In my work that is mostly based of constructive language and motives I try to create objects that concerning and include values and principles from the human body, by dialing with it not in a direct approach. But hint and mark the body in defamiliarization way.<br /><br /><br /><br /><br /><strong><span style="color:#666666;"><span style="color:#999999;">EFRAT KEDEM</span><br /></span></strong>Born in 1980, Tel Aviv-Yafo, Israel<br /><br />Solo Exhibitions:<br /><br />2007-Real Astate- the New&Bad Gallery-Tel-aviv.<br />2007-Heart- dollinger gallery-Tel-Aviv.<br /><br />Group Exhibitions:<br /><br />2008: EcoOcean-green project, Fresh paint, tel-aviv.<br />2008: Regba, barbur, Jerusalem.<br />2008: Flock, Tek-aviv.<br />2007: RockArt, Jerusalem.<br />2007: Eifo beheifo art festival, Haiffa.<br />2007: The congress 17 Tel aviv.<br />2006: "MAT" Kav 16 Gallery Tel-Aviv.<br /><br />Contact Info<br />E-mail: <a href="mailto:balalaika101@gmail.com">balalaika101@gmail.com</a><br />Website: <a href="http://www.facebook.com/event.php?eid=12">http://www.facebook.com/event.php?eid=12</a>...<br /><a href="http://www.saatchi-gallery.co.uk/stuart/">http://www.saatchi-gallery.co.uk/stuart/</a>Taiwan-Israelhttp://www.blogger.com/profile/07260608420076148645noreply@blogger.com0tag:blogger.com,1999:blog-7079676972011757535.post-3055750621777088902008-07-08T15:58:00.000-07:002008-07-08T16:04:55.191-07:00棠娜.蕾芙 雷夫奈特<div><br /><br /><div>我試圖要藉由青少年生活的象徵意涵來介入攝影所反應,代表的真實/現實<br /><br />In my work I try to interrupt the "realty" that represented by photography with symbols from the teenage lifestyle.<br /><br /></div><br /><br /><div></div><br /><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3L41hk0KW6Rwt6HPwT2k3xOjLQkiTCYfLhAYcKUPwuVuixq1jg5gGqWuqctBTfAJXzkx5KvO8mSa1509urHMKDSddfNC59xXKcsgIO2iEgzb7ux6GS0c7S7zS3RdJ4WR3ixGnJGw5GI_H/s1600-h/04.jpg"><img id="BLOGGER_PHOTO_ID_5220782745851605762" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 192px; CURSOR: hand; HEIGHT: 224px" height="206" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3L41hk0KW6Rwt6HPwT2k3xOjLQkiTCYfLhAYcKUPwuVuixq1jg5gGqWuqctBTfAJXzkx5KvO8mSa1509urHMKDSddfNC59xXKcsgIO2iEgzb7ux6GS0c7S7zS3RdJ4WR3ixGnJGw5GI_H/s320/04.jpg" width="165" border="0" /></a></div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAsBlHxexdvEYxepjsmCV9j4Iwa9g-QlrQboMa-XBhhbNq6R-YW-bQWXz74UlZMK6pg9uyuNeQdWVCDhzM2leIOc4ICMSlyZTGw9uPb-UEiqdsvg7Ltn2dKkMHy7x7fLyx3mQkDClJCohI/s1600-h/05.jpg"><img id="BLOGGER_PHOTO_ID_5220783017516925874" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 165px; CURSOR: hand; HEIGHT: 224px" height="268" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAsBlHxexdvEYxepjsmCV9j4Iwa9g-QlrQboMa-XBhhbNq6R-YW-bQWXz74UlZMK6pg9uyuNeQdWVCDhzM2leIOc4ICMSlyZTGw9uPb-UEiqdsvg7Ltn2dKkMHy7x7fLyx3mQkDClJCohI/s320/05.jpg" width="209" border="0" /></a><br /><div></div><br /><div></div><br /><div></div><br /><div></div><br /><div></div><br /><div></div><br /><div></div><br /><div></div><br /><div></div><br /><div></div><br /><div></div><br /><div></div><br /><div></div><br /><div></div><br /><div></div><br /><div><br /><strong><span style="color:#999999;">Dana Lev Levnat</span></strong><br /><br /><br />Year of birth: 1978<br />E-mail: levnatdana@gmail.com<br />Cellular Phone:972-544.816.9998.<br /><br />Education:<br />2000– 2002: Camera Obscura. Tel Aviv.<br />2002- 2006: B.fa. photography Dep. studying at BEZALEL Academy of Arts and Design. Israel.<br />2004- 2005: Excange students. HAW, Hamburg, Germany.<br />2006- 2008: M.fa. Fine arts studying at BEZALEL Academy of Arts and Design. Israel.<br /><br />Group Exhibitions:<br />2008: Snap Shot, ramla- ofakim<br />2008: Flock, Tel aviv.<br />2007: Bad Education, Akita Gallery<br />2006: Final Exhibition, Terminal. Bezalel<br />2006: Holon Now, The Israeli Center for Digital Art</div></div>Taiwan-Israelhttp://www.blogger.com/profile/07260608420076148645noreply@blogger.com0tag:blogger.com,1999:blog-7079676972011757535.post-42178375082891457832008-07-08T15:45:00.000-07:002008-07-08T15:56:41.229-07:00阿維塔.納尼 [ 妲瑪 ] [ 記號 ]我的作品橫跨了繪畫和雕塑兩個區塊。一直以來這些都被定義為與影像抗衡的領域,而不論是污篾或團整影像,都與影像的存在並行不悖。<br /><br />剛實堅硬的雕塑卻是以柔軟可塑的姿態註釋評論著以色列的現實。它透過地景相關的建築元素表釋它自身,同時也展示浪漫和嚴苛的相關串連。當與極簡主義的雕塑語彙對話辯證時,比喻寓意的身驅透過人之為人以及肉身存在的印痕表露它自身。雕塑定義了在此中的肉身、地景和創造力的關連;有時藉由微妙的操作之舉,巨大笨重的雕塑可被操作成猶如輕巧折疊的紙張一般。<br /><br />在我的計畫中表呈的高山影像,也是計畫的核心部份。再現地景是流動的,值得注意的是,在繪畫以及錄影作品的雕塑性存在中,再現地景的流動變成它自身的回音。流動性試圖抹去物質的內在固有的雕塑性存在而為體積團塊,這將轉換且離棄了它而成視覺組塊的痕跡。<br /><br />圖畫多半以複寫紙張和墨水繪製而成。它們描繪現實處境之間的連結和脅迫著要覆蓋住它們的汙點。繪製的線條在人為目的(指人為操控的和複本)以及無意識之間滑移。<br /><br />在我的作品中,我的動機和權力、爭奪、恐怖控制、虛飾賣弄有關。這些是藝術作品觀察者的煩擾,且這些也將本質與土地國家視為控制步驟的核心要素。<br /><br /><br /><br /><br /><br /><span style="color:#666666;"><strong>[ Tamar ] [ Sign ]</strong></span><br /><span style="font-size:85%;">Tamar - 2007, Formica, 50X50X200 cm<br />Sign – 2006, mattress, 70 X 50 X 15 cm<br /></span><br />My work is in a zone straddling drawing and sculpture. These are territories characterized as stain and lump which are in constant struggle with the image that is coming into existence.<br /><br />The iron sculptures are a plastic comment of the Israeli reality, expressing itself through the architectonic elements that relate to the landscape, and exhibit romantic and critical threads at the same time. While making a dialogue with the sculptural language of minimalism, the figurative body manifests itself through imprints of the human and physical being. The sculptures define the body and the landscape and create power relations between them; at times by subtle action when the massive iron is handled as if delicately folding paper.<br /><br />The image of the mountain is present and central to my projects. The representation of the landscape is flat - one dimensional -becoming the echo of itself in its sculptural existence in both drawings and video works. The flatness is looking to erase the inherent sculptural being of the material as volumetric mass, transforming and leaving it behind as a trace of a visual mass.<br /><br />The drawings are mostly made with carbon copy paper and ink. They describe the connections between reality sites and stains that threaten to cover them. The drawing line moves between intention – the one that controls and copies – and unselfconsciousness.<br /><br />In my works, I use motifs relating to power, jostling, territorial control and ostentation. These harass the observer of the artworks and they assign nature and the land as central elements of control procedures.<br /><br /><br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDJM4_-ojNw5WSE-9NMwD4lS1nkjyZV8wkwhw3IQhSCdXZAl64uSTfZ7a9tiCnbWvsrB-CtfdUZ4_sXbNoLsCWr0LV2EhYKtir4JnVeUjsSWnN_aALmgoob9-uWjC95NlvSIG1gbv1h9tS/s1600-h/Tamar+-+2007,+Formica,+50X50X200+cm.jpg"><img id="BLOGGER_PHOTO_ID_5220779923603941746" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDJM4_-ojNw5WSE-9NMwD4lS1nkjyZV8wkwhw3IQhSCdXZAl64uSTfZ7a9tiCnbWvsrB-CtfdUZ4_sXbNoLsCWr0LV2EhYKtir4JnVeUjsSWnN_aALmgoob9-uWjC95NlvSIG1gbv1h9tS/s320/Tamar+-+2007,+Formica,+50X50X200+cm.jpg" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-size:85%;color:#666666;">Tamar - 2007, Formica, 50X50X200 cm</span><br /><br /><br /><strong><span style="color:#999999;">Avital Cnaani<br /></span></strong><br />Born 1978, Israel.<br />Live and Work in Tel-Aviv, Israel.<br /><br />Education<br />2006 Graduate Studies – Bezalel – Academy of Arts and Design.<br />2001-2005 – B.E.D (with honors) Hamidrasha School of Art; Beit Berl College, Israel.<br /><br />Solo Exhibition<br />2007 Solo Gallery – Tel-Aviv.<br />2004-Cabri Place of Art” – Kibbutz Cabri Gallery.<br /><br />Group Exhibition<br />2007 – “Regba” – Barbur Gallery. Jerusalem.<br />2007 – “RockArt” – Music Center, Jerusalem.<br />2007 – “Relay Race” – Four Generation of Feminism in Israeli Art, Haifa Museum.<br />2007 – “Open Studio”, Bezalel Academy of Art, Tel-Aviv<br />2007 – “The Congress 17”, Tel-Aviv<br />2006 – “2006”, Gordon Gallery, Tel-Aviv.<br />2005 – “The Scream” – Homage to Munch. ‘Kav 16’ Gallery, Tel-Aviv.<br />2005 – “Artic 7” – an America-Israel Cultural Foundation exhibition of the recipients of<br />The Sharett scholarship.<br /><br />Awards<br />2005- Recipient of Excellency Award, Hamidrasha School of Art.<br />2004-5- America-Israel Cultural Foundation Awards.<br /><br />Contact:<br /><a href="mailto:avitalcnaani@gmail.com">avitalcnaani@gmail.com</a><br />972-523383144Taiwan-Israelhttp://www.blogger.com/profile/07260608420076148645noreply@blogger.com0tag:blogger.com,1999:blog-7079676972011757535.post-46086147556299134102008-07-08T05:47:00.000-07:002008-07-08T15:42:35.189-07:00韋至恆 [ 戰爭玩具之混種派對! ]戰爭在台灣這塊土地<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgypVUDa-JQb4qDqC4H7-zIqDDE3CeoJi6KIuMq1B2Fi2cp1SpFxPUxthyphenhyphenv1RH8iFr32_2tC5vgvu75PjICemD_11wgiN0jrTIH5iTtUqD59vtGj8cGW9Hw3TPEOv-fMjBKIVcL4nofntIV/s1600-h/%E7%85%A7%E7%89%87+003.jpg"></a>上,似乎是一項切身,但又具備這可遙想的事件。<br />台灣地理位置上面對著,對岸的強勢,在我的眼裡是一種既似歡樂的、可愛的、<br />性感的Party即將要發生。隨著當代的媒體環境,戰爭被消費成精彩的特效場景,給予人們一連串的錯亂與幻覺。<br /><br />因此,我從戰爭的議題切入。利用電玩卡漫的輕鬆手法,將戰爭武器做一種轉換,成為了既是攻擊性的武裝機器,又是凶猛的動物。以一種「一語雙關」式的敘述與虛造,說明戰爭武器像是具有動物般的獸性,來帶出我所要的反諷與批判。在全球化底下,恐怖戰爭的「好萊塢」化,似乎是一種我們所處的錯亂當下。「混種戰爭動物」將成為我對於這個世界的重新設定,我將會以寫歷史的狀態下,來關注與批判這個環境與地球。<br /><br /><br /><br /><p><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiT5ZZsYyMr5QD364pGx9b9xQA-djoyavgI-5ys8jmwH41zs_OvE7nPZteYjWby5GCM-IBtfR3ElEqnd-00Tiu4Y4SXk0RC4NNefp3jpbHyQcGjPW19lzkXeVvvCqzTbZRcxnqXQk2qviX9/s1600-h/%E6%AD%A6%E8%A3%9D%E6%94%BB%E6%93%8A%E7%86%8A%E8%B2%93+++++%E6%B2%B9%E5%BD%A9%E3%80%81%E7%95%AB%E5%B8%83+++162+x+130+cm+++2008.jpg"><img id="BLOGGER_PHOTO_ID_5220625234464449298" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 327px; CURSOR: hand; HEIGHT: 222px" height="193" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiT5ZZsYyMr5QD364pGx9b9xQA-djoyavgI-5ys8jmwH41zs_OvE7nPZteYjWby5GCM-IBtfR3ElEqnd-00Tiu4Y4SXk0RC4NNefp3jpbHyQcGjPW19lzkXeVvvCqzTbZRcxnqXQk2qviX9/s320/%E6%AD%A6%E8%A3%9D%E6%94%BB%E6%93%8A%E7%86%8A%E8%B2%93+++++%E6%B2%B9%E5%BD%A9%E3%80%81%E7%95%AB%E5%B8%83+++162+x+130+cm+++2008.jpg" width="239" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /></p><p><br /><span style="font-size:85%;color:#999999;">武裝攻擊熊貓 韋至恆 油彩、畫布 162 x 130 cm 2008</span><br /><br /><br /><br />韋至恆<br />1983 年 1 月 20 日<br />台北藝術大學美創所研<br />email: s19221704@yahoo.com.tw<br /><br />cell phone 0932856133<br /><br /><br />簡歷<br />高雄市立美術館「高雄獎」入選 2008<br />韓國 光州美術館 「Art Vision」國際當代藝術展 2008<br />國立台灣美術館青年藝術家作品典藏「生化綠鯊」作品 2007<br />德國卡塞爾-夏日國際藝術「開放場所」學生創作營 2007<br />第一屆龍顏基金會95學年度藝術創作獎 2007<br />台灣銀行高雄科學園區分行收藏三件油畫作品 2006<br />台北藝術大學美術系十九屆系展油畫第一名 2005<br />張心龍獎學金創作獎 2005<br />朱銘美術館藝術長廊創作者 2005<br /><br /><br />[ The War Toys at the Hybrid Party ]<br />WEI, CHIH-HENG<br /><br />In Taiwan, war seems of personal concern but also a fantastic event. Taiwan faces the mighty force from across the Strait; to me, what comes from this intense rivalry atmosphere is a happy, cute, and sexy party action. Present day mass media has consumed war into spectacular stunned scenes, giving people a series of illusions and fantasies.<br /><br />Consequently, I choose war as my main theme in order to represent the chaos in today’s media society. Executing by ways of animation or comics, I transform the war weapon to become a pun of killing device and fierce animal. I wish to represent the weapon as animalistic and show that the war is full of irony. Under globalization, the “Hollywoodization” of war is common. “The Hybrid War Animal” is my <a href="http://tw.dictionary.yahoo.com/search?ei=UTF-8&p=redefinition">redefinition</a> of the world. I will keep on criticizing today’s phenomenon and acting as a historian, continuing to record the contemporary events.<br /><br /><br />WEI, CHIH-HENG<br /><br /><span style="font-size:85%;">Born 01/20, 1983, in Kaoshiung<br />Graduate School of Fine Arts, Taipei National University of the Arts (TNUA)<br />email: s19221704@yahoo.com.tw</span><br /><br /><span style="font-size:85%;">2008 Kaohsiung Art Awards, Kaohsiung Museum of Fine Art<br />2008The 1st International Contemporary Art Cwangju Artvision Group Exhibition<br />2008“Bio-tect green shark”, Young Artist Collections, National Taiwan Museum of Fine Arts<br />2007 Open Space, International Summer Camp for Advanced Art Students<br />2007 The Creation Award of Long Yen Foundation<br />2007 Collection of BANK OF TAIWAN , Kaoshiung branch<br />2006 1st PRIZE, 19thDEPARTMENTAL EXHIBITION, TNUA<br />2005 SCHOLARSHIP OF ZHANG XIN LONG<br />2005 The Artist in JUMING MUSEUM </span></p><p><span style="font-size:85%;"></span></p><p><span style="font-size:85%;"></span></p><p></p><p><span style="font-size:85%;"></span></p><p><span style="font-size:85%;"></p></span><p><br /></p>Taiwan-Israelhttp://www.blogger.com/profile/07260608420076148645noreply@blogger.com0tag:blogger.com,1999:blog-7079676972011757535.post-73711673335275818952008-06-22T01:44:00.000-07:002008-06-22T13:45:59.980-07:00徐思穎Hsu, Szu-Ying 「此時此地 禁錮空間計畫,Here and now Imprison Space」<p class="MsoNormal" style="background: white none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;font-family:arial;"><a name="4474370188904109261"></a><b><span style="" lang="EN-US"><a href="http://taiwan-israel.blogspot.com/2008/06/7-07-2008-video-installation-707-2008.html"><span style="" lang="EN-US"><span lang="EN-US"></span></span><span style="" lang="EN-US"><span lang="EN-US"></span></span></a> <o:p></o:p></span></b></p> <p class="MsoNormal" face="arial" style="background: white none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;"><b><span style="" lang="EN-US"><o:p> </o:p></span></b></p> <p class="MsoNormal" style="line-height: 125%; color: rgb(153, 153, 153);font-family:arial;"><span lang="EN-US"></span><b style=""><span style=""><br /><span style="font-family:arial;">此時此地</span></span><span style="font-family:arial;"> </span></b><b style="font-family:arial;"><span style="">禁錮空間計畫</span><span lang="EN-US"><o:p></o:p></span></b></p> <p class="MsoNormal" style="line-height: 125%; color: rgb(153, 153, 153);font-family:arial;"><span lang="EN-US"><o:p> </o:p></span></p> <p class="MsoNormal" style="line-height: 125%; color: rgb(153, 153, 153);font-family:arial;"><span style="font-size:100%;"><span style="">這一系列的作品</span><span style="">,</span><span style="">主要在探討人類與空間之間潛藏所能指涉出的關聯性</span><span style="">,</span><span style="">不管是針對實體空間</span><span style="">,</span><span style="">人體所能行動的範圍</span><span style="">,</span><span style="">或是指涉在思想層面與個人內心情感的對照</span><span style="">,</span><span style="">都成就現代人在生活經驗中的不可避免的議題</span><span style="">,</span><span style="">我試圖去找尋個人與空間中</span><span style="">,</span><span style="">自身所期盼可以轉化為我藝術創作題材的媒介</span><span style="">,</span><span style="">又避免造成過多的複雜性</span><span style="">,</span><span style="">但依舊存在些許的不確定感與壓迫感</span><span style="">,</span><span style="">也許這也是我抒發自身壓抑的另一種途徑</span></span><span style=""><span style="font-size:100%;">。</span></span></p><br /><p class="MsoNormal" style="line-height: 125%; color: rgb(153, 153, 153);font-family:arial;">---------------------------------------------------------------------------------<br /></p><p class="MsoNormal" style="line-height: 125%; color: rgb(153, 153, 153);font-family:arial;"><br /><span style=""><span lang="EN-US"><o:p></o:p></span></span></p> <p class="MsoNormal" style="line-height: 125%; color: rgb(153, 153, 153);font-family:arial;"><span lang="EN-US"> <o:p></o:p></span></p> <p class="MsoNormal" style="line-height: 125%; color: rgb(153, 153, 153);font-family:arial;"><span lang="EN-US"><o:p> </o:p></span></p> <p class="MsoNormal" style="line-height: 125%; color: rgb(153, 153, 153);font-family:arial;"><span class="titlestyle011" style="font-size:100%;"><span style="line-height: 125%;">台灣人權綠島園區</span></span><span class="titlestyle011" style="font-size:100%;"><span style="line-height: 125%;" lang="EN-US">-</span></span><span class="titlestyle011" style="font-size:100%;"><span style="line-height: 125%;">綠洲山莊</span></span><span class="maintxtstyle011"><span style="line-height: 125%;" lang="EN-US"><o:p></o:p></span></span></p> <p class="MsoNormal" style="line-height: 125%; color: rgb(153, 153, 153);font-family:arial;"><span lang="EN-US"><span style=""> </span><o:p></o:p></span></p> <p class="MsoNormal" style="line-height: 125%; color: rgb(153, 153, 153);font-family:arial;"><b style=""><span style="">國防部綠島感訓監獄:</span><span lang="EN-US">1972</span></b><b style=""><span style="">~</span><span lang="EN-US">1987<o:p></o:p></span></b></p> <p class="MsoNormal" style="line-height: 125%; color: rgb(153, 153, 153);font-family:arial;"><b style=""><span lang="EN-US"><br /></span></b><st1:chsdate isrocdate="False" islunardate="False" day="8" month="2" year="1970" st="on"><span lang="EN-US">1970</span><span style="">年</span><span lang="EN-US">2 </span><span style="">月</span><span lang="EN-US">8</span></st1:chsdate><span style="">日泰源事件之後,國民政府在綠島新生訓導處舊址西側一角,趕建高牆式監獄</span><span lang="EN-US">──</span><span style="">綠洲山莊。</span><span lang="EN-US">1972</span><span style="">年春天,將泰源監獄和各地軍事監獄的政治犯遷來,集中監禁。直到</span><st1:chsdate isrocdate="False" islunardate="False" day="15" month="7" year="1987" st="on"><span lang="EN-US">1987</span><span style="">年</span><span lang="EN-US"> 7 </span><span style="">月</span><span lang="EN-US">1</span></st1:chsdate><span lang="EN-US">5</span><span style="">日解除戒嚴,平民不再受軍法管轄之後方止。</span><span lang="EN-US"><br /></span><span style="">綠洲山莊為典型監獄建築,囚禁受難者的八卦樓,成放射狀,便於管理。囚犯分區放封,另有戒護、醫療、獨居房、禁閉室;行政大樓內,提供家屬會面的場地。</span><span lang="EN-US"><o:p></o:p></span></p> <p class="MsoNormal" style="line-height: 125%; color: rgb(153, 153, 153);font-family:arial;"><span lang="EN-US"><o:p> </o:p></span></p> <p class="MsoNormal" style="line-height: 125%; color: rgb(153, 153, 153);font-family:arial;"><span style="line-height: 125%;font-size:85%;" lang="EN-US" ><</span><span style="line-height: 125%;font-size:85%;" >摘自文建會</span><span style="line-height: 125%;font-size:85%;" lang="EN-US" >-</span><span style="line-height: 125%;font-size:85%;" >台灣人權文化園區</span><span style="line-height: 125%;" lang="EN-US"><span style="font-size:85%;">></span><o:p></o:p></span></p> <p class="MsoNormal" style="line-height: 125%; color: rgb(153, 153, 153);font-family:arial;"><span style="line-height: 125%;font-size:10;" lang="EN-US" ><o:p> </o:p></span></p> <p class="MsoNormal" style="line-height: 125%; color: rgb(153, 153, 153);font-family:arial;"><span lang="EN-US"><o:p> </o:p></span></p> <p class="MsoNormal" style="line-height: 125%; color: rgb(153, 153, 153);font-family:arial;"><span lang="EN-US"><o:p> </o:p></span></p> <p class="MsoNormal" style="text-indent: 352.2pt; line-height: 125%; color: rgb(153, 153, 153);font-family:arial;"><span style=""> <o:p></o:p><br />我試圖在這個幾乎被孤立的島嶼場域中</span><span style="">,</span><span style="">除了紀錄與拍攝過程之外</span><span style="">,</span><span style="">尋求自身的認同感</span><span style="">,</span><span style="">在人權文化園區中建築物的部分</span><span style="">,</span><span style="">從</span><span lang="EN-US">2003</span><span style="">年以來文化園區始開始對外開放參觀</span><span style="">,</span><span style="">但其中</span><span lang="EN-US"><</span><span style="">獨居房</span><span lang="EN-US">></span><span style="">是唯一至今尚未對外界開放的</span><span style="">,</span><span style="">各種搜尋資料及研究報告顯示出</span><span style="">,</span><span style="">這部分內容及使用目的</span><span style="">,</span><span style="">一直有所保留</span><span style="">,</span><span style="">甚至連研究人員也不清楚裡面空間規劃的用途</span><span style="">,曾囚禁在獨居房的犯人,現今也多進入精神病院,根據僅存少數的口述歷史當中,</span><span style="">在他們口耳相傳</span><span style="">,</span> <span style="">進出獨居房的所有看守員以及犯人都必須簽署保密條款</span><span style="">,</span><span style="">歸納所有的總結只有入口說明簡介上的一句話</span></p><p class="MsoNormal" style="text-indent: 352.2pt; line-height: 125%; color: rgb(153, 153, 153);font-family:arial;"><span class="maintxtstyle011" style="font-size:100%;"><o:p></o:p><br /><b style=""><span style="line-height: 125%;">隔離監禁重大思想犯以及精神病患之用,又被稱為「監獄中的監獄</span></b></span><span class="maintxtstyle011" style="font-size:100%;"><b style=""><span style="line-height: 125%;">」</span></b></span><span style="font-size:100%;"><b style=""><span lang="EN-US"><o:p></o:p><br /> <</span></b></span><b style=""><span style="">暫不開放</span><span lang="EN-US"><span style="font-size:100%;">></span><o:p></o:p></span></b></p> <p class="MsoNormal" style="text-indent: 440.25pt; line-height: 125%; color: rgb(153, 153, 153);font-family:arial;"><span class="maintxtstyle011"><b style=""><span style="line-height: 125%;" lang="EN-US"><o:p> </o:p></span></b></span></p> <p class="MsoNormal" style="line-height: 125%; color: rgb(153, 153, 153);font-family:arial;"><span style="font-family:arial;">因為種種傳說以及解說人員的概略講解</span><span style="font-family:arial;">,</span><span style="font-family:arial;">增加了</span><span lang="EN-US" style="font-family:arial;"><</span><span style="font-family:arial;">獨居房</span><span lang="EN-US" style="font-family:arial;">></span><span style="font-family:arial;">的神秘性</span><span style="font-family:arial;">,</span><span style="font-family:arial;">使我更想入內一探究竟</span><span style="font-family:arial;">,</span><span style="font-family:arial;">我在一次不知道是幸運還是不幸的狀況下</span><span style="font-family:arial;">,</span><span style="font-family:arial;">有這個機會可以入內攝影</span><span style="font-family:arial;">,</span><span style="font-family:arial;">並且為我近期的作品做影像創作</span><span style="font-family:arial;">。</span><span lang="EN-US"> <o:p></o:p></span></p> <p class="MsoNormal" style="line-height: 125%; color: rgb(153, 153, 153);font-family:arial;"><span lang="EN-US"><o:p> </o:p></span></p> <p class="MsoNormal" style="line-height: 125%; color: rgb(153, 153, 153);font-family:arial;"><span style="line-height: 125%;font-size:10;" lang="EN-US" ><o:p> </o:p></span></p> <p class="MsoNormal" style="line-height: 125%; color: rgb(153, 153, 153);font-family:arial;"><span style="font-family:arial;">沉重的青綠色鐵製推門</span><span style="font-family:arial;">,</span><span style="font-family:arial;">開啟後撲鼻而來的是一陣長久無人進入的發霉氣味</span><span style="font-family:arial;">,</span><span style="font-family:arial;">地板上是厚厚一層的灰色積塵</span><span style="font-family:arial;">,</span><span style="font-family:arial;">進入大門後經過穿堂</span><span style="font-family:arial;">,</span><span style="font-family:arial;">是一片天井</span><span style="font-family:arial;">,</span><span style="font-family:arial;">雜草叢生</span><span style="font-family:arial;">,</span><span style="font-family:arial;">而左右的空間曾經是醫務室</span><span style="font-family:arial;">,</span><span style="font-family:arial;">以及巡守人員的休息室</span><span style="font-family:arial;">,</span><span style="font-family:arial;">而再進去是兩扇厚重的鐵門</span><span style="font-family:arial;">,</span><span style="font-family:arial;">裡面即是一間又一間的獨居房</span><span style="font-family:arial;">,</span><span style="font-family:arial;">每一間獨居房大小及空間使用方式都有非常大的差異</span><span style="font-family:arial;">,</span><span style="font-family:arial;">據解說人員所述</span><span style="font-family:arial;">,</span><span style="font-family:arial;">他們也不是很了解為什麼每一間的大小都不一樣</span><span style="font-family:arial;">,</span><span style="font-family:arial;">而裡面的基本配備</span><span style="font-family:arial;">,</span><span style="font-family:arial;">僅有一個小型的洗手台</span><span style="font-family:arial;">、</span><span style="font-family:arial;">以及一個馬桶</span><span style="font-family:arial;">,</span><span style="font-family:arial;">有幾間的馬桶以及小型洗手台是呈現被破壞的狀態</span><span style="font-family:arial;">,</span><span style="font-family:arial;">或是碎裂在地上</span><span style="font-family:arial;">。</span><span lang="EN-US"> <o:p></o:p></span></p> <p class="MsoNormal" style="line-height: 125%; color: rgb(153, 153, 153);font-family:arial;"><span lang="EN-US"><o:p> </o:p></span></p> <p class="MsoNormal" style="line-height: 125%; color: rgb(153, 153, 153);font-family:arial;"><span lang="EN-US" style="font-family:arial;"><</span><span style="font-family:arial;">獨居房</span><span lang="EN-US" style="font-family:arial;">></span><span style="font-family:arial;">裡面的氛圍是比我所看過的所有監獄</span><span style="font-family:arial;">,</span><span style="font-family:arial;">甚至是國內外監獄裡面用來逞罰頑劣犯人的禁閉室</span><span style="font-family:arial;">,</span><span style="font-family:arial;">來的更凝重而且不堪</span><span style="font-family:arial;">,</span><span style="font-family:arial;">我無法在裡面長時間佇立</span><span style="font-family:arial;">,</span><span style="font-family:arial;">即使是我身旁還站了另外三個人</span><span style="font-family:arial;">,</span><span style="font-family:arial;">依舊是想趕快逃離這個充滿壓抑的所在地</span><span style="font-family:arial;">,</span><span style="font-family:arial;">我用了我生平最快的拍攝時間</span><span style="font-family:arial;">,</span><span style="font-family:arial;">盡速拍完三捲底片</span><span style="font-family:arial;">,</span><span style="font-family:arial;">加上不到五分鐘的攝影紀錄</span><span style="font-family:arial;">。</span><span lang="EN-US"> <o:p></o:p></span></p> <p class="MsoNormal" style="line-height: 125%; color: rgb(153, 153, 153);font-family:arial;"><span lang="EN-US"><o:p> </o:p></span></p> <p class="MsoNormal" style="line-height: 125%; color: rgb(153, 153, 153);font-family:arial;"><span style="line-height: 125%; font-weight: bold;font-size:100%;" lang="EN-US" >*</span><span style="line-height: 125%; font-weight: bold;">禁閉室</span><span style="line-height: 125%; font-weight: bold;font-size:100%;" lang="EN-US" >:</span><span style="font-weight: bold;font-size:100%;" class="maintxtstyle011" ><span style="line-height: 125%;">作為懲罰違規的政治受難者之用,不到一平的大小,前後左右覆蓋將近</span></span><span style="font-weight: bold;font-size:100%;" class="maintxtstyle011" ><span style="line-height: 125%;" lang="EN-US">10</span></span><span class="maintxtstyle011" style="font-size:100%;"><span style="line-height: 125%;"><span style="font-weight: bold;">公分厚的保護墊,室內的「高窗洞」是唯一的光線來源</span>。</span></span><span style="line-height: 125%;font-size:100%;" lang="EN-US" ><o:p></o:p></span></p> <p class="MsoNormal" style="line-height: 125%; color: rgb(153, 153, 153);font-family:arial;"><span lang="EN-US" style="font-size:100%;"><span style=""> </span><o:p></o:p></span></p> <span style="color: rgb(153, 153, 153);font-family:arial;" >在這之其中的壓抑氛圍</span><span style="color: rgb(153, 153, 153);font-family:arial;" >,</span><span style="color: rgb(153, 153, 153);font-family:arial;" >也許是我腦袋中不自覺的腎上激素分泌而感到無比緊張</span><span style="color: rgb(153, 153, 153);font-family:arial;" >,</span><span style="color: rgb(153, 153, 153);font-family:arial;" >抑或是如同日常生活中被侷限的心思所感同身受</span><span style="color: rgb(153, 153, 153);font-family:arial;" >,</span><span style="color: rgb(153, 153, 153);font-family:arial;" >在這一間不到<st1:chmetcnv tcsc="1" numbertype="3" negative="False" hasspace="False" sourcevalue="3" unitname="坪" st="on">三坪</st1:chmetcnv>大的</span><span style="color: rgb(153, 153, 153);font-family:arial;" lang="EN-US"><</span><span style="color: rgb(153, 153, 153);font-family:arial;" >獨居房</span><span style="color: rgb(153, 153, 153);font-family:arial;" lang="EN-US">></span><span style="color: rgb(153, 153, 153);font-family:arial;" >當中</span><span style="color: rgb(153, 153, 153);font-family:arial;" >,</span><span style="color: rgb(153, 153, 153);font-family:arial;" >所有的吃喝拉撒睡都禁錮在這個充滿陽光</span><span style="color: rgb(153, 153, 153);font-family:arial;" >,</span><span style="color: rgb(153, 153, 153);font-family:arial;" >但是卻被鐵窗所鏈住的小空間</span><span style="color: rgb(153, 153, 153);font-family:arial;" >,</span><span style="color: rgb(153, 153, 153);font-family:arial;" >與外界的一切事物隔絕</span><span style="color: rgb(153, 153, 153);font-family:arial;" >,</span><span style="color: rgb(153, 153, 153);font-family:arial;" >即使是一隻不小心闖入的小蝸牛</span><span style="color: rgb(153, 153, 153);font-family:arial;" >,</span><span style="color: rgb(153, 153, 153);font-family:arial;" >都有可能成為犯人一年來最大的驚喜</span><span style="color: rgb(153, 153, 153);font-family:arial;" >,</span><span style="color: rgb(153, 153, 153);font-family:arial;" >也許生活在優渥自由社會的我們是如此的幸運</span><span style="color: rgb(153, 153, 153);font-family:arial;" >,</span><span style="color: rgb(153, 153, 153);font-family:arial;" > </span><span style="color: rgb(153, 153, 153);font-family:arial;" >但是為了經濟來源或是生活考量而汲汲營營的我們</span><span style="color: rgb(153, 153, 153);font-family:arial;" >,</span><span style="color: rgb(153, 153, 153);font-family:arial;" >或是現今幾乎不出門的宅男與乾物女</span><span style="color: rgb(153, 153, 153);font-family:arial;" >,</span><span style="color: rgb(153, 153, 153);font-family:arial;" >何嘗又不是身心靈的另一種需要憐憫的禁錮狀態</span><span style="color: rgb(153, 153, 153);font-family:arial;" ><span style="font-size:100%;">。<br /><br /><br /><br /></span></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjxaPhtXVHMugOdFWAJk8-ck8KLrEec43yUgrosp3httSZTS9x5qBORBrGov9L-h-ABOxkfV-d_R91BJMslosPcM5UCaGU8AVL-ZCFARnjRyTyJH4XNkAvCCk-gu-zqxktK8Vwv3XdYis/s1600-h/Island(video).jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 370px; height: 209px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjxaPhtXVHMugOdFWAJk8-ck8KLrEec43yUgrosp3httSZTS9x5qBORBrGov9L-h-ABOxkfV-d_R91BJMslosPcM5UCaGU8AVL-ZCFARnjRyTyJH4XNkAvCCk-gu-zqxktK8Vwv3XdYis/s320/Island(video).jpg" alt="" id="BLOGGER_PHOTO_ID_5214626245803291698" border="0" /></a><br /><span style="color: rgb(153, 153, 153);font-family:arial;" ><span style="font-size:100%;"><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /></span></span><span style="color: rgb(153, 153, 153);font-family:times new roman;font-size:85%;" ><br />禁錮空間計畫系列作品之一</span><span style="color: rgb(153, 153, 153);font-family:times new roman;font-size:85%;" lang="EN-US" >Island</span><span style="color: rgb(153, 153, 153);font-family:times new roman;font-size:85%;" lang="EN-US" ><o:p></o:p></span><span style="color: rgb(153, 153, 153);font-family:times new roman;font-size:85%;" ><br />單頻道錄影,</span><span style="color: rgb(153, 153, 153);font-family:times new roman;font-size:85%;" lang="EN-US" >9</span><span style="color: rgb(153, 153, 153);font-family:times new roman;font-size:85%;" >分</span><span style="color: rgb(153, 153, 153);font-family:times new roman;font-size:85%;" lang="EN-US" >03</span><span style="color: rgb(153, 153, 153);font-family:times new roman;font-size:85%;" >秒,</span><span style="color: rgb(153, 153, 153);font-family:times new roman;font-size:85%;" lang="EN-US" >2008 </span><span style="color: rgb(153, 153, 153);font-family:times new roman;font-size:85%;" lang="EN-US" ><o:p></o:p></span><span style="color: rgb(153, 153, 153);font-family:times new roman;font-size:85%;" ><br /></span><span style="color: rgb(153, 153, 153);font-family:times new roman;font-size:85%;" lang="EN-US" ><span style="font-size:85%;">Single channel video, <st1:chmetcnv tcsc="0" numbertype="1" negative="False" hasspace="False" sourcevalue="9" unitname="’" st="on">9’</st1:chmetcnv><st1:chmetcnv tcsc="0" numbertype="1" negative="False" hasspace="False" sourcevalue="3" unitname="”" st="on">03”</st1:chmetcnv>, 2008,</span><br /><br /><br /><br /><br /></span><span style="color: rgb(153, 153, 153);font-family:arial;" ><span style="font-size:100%;"><br /></span></span> <p class="MsoNormal" style="background: white none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial; color: rgb(153, 153, 153);font-family:arial;"><span style="">簡歷</span><b><span style="" lang="EN-US"> curriculum vitae <o:p></o:p></span></b></p> <p class="MsoNormal" face="arial" style="line-height: 125%; color: rgb(153, 153, 153);"><b><span style="" lang="EN-US"><o:p></o:p></span></b><span style="">試圖以一種夢境的狀態在述說著許多事實</span><span style="">,</span><span style="">但又不是如此的令我確定</span><span style="">,</span><span style="">不斷的緩慢似的奔跑</span><span style="">,</span><span style="">或許可以使我舒緩對於空間以及囚禁的壓迫感</span><span style="">,</span><span style="">可是好像只有當腳上的白色絲襪</span><span style="">,</span><span style="">踩在充滿灰塵的白色地板上</span><span style="">,</span><span style="">還有下過雨後的水漥當中</span><span style="">,</span><span style="">腳底留下的黑色花朵又提醒我是真的在這裡大力呼吸與嘗試著生命循環</span><span style="">。</span><span lang="EN-US"><o:p></o:p></span></p> <p class="MsoNormal" style="background: white none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial; color: rgb(153, 153, 153);font-family:arial;"><span style="" lang="EN-US"><o:p> </o:p></span></p> <p class="MsoNormal" style="line-height: 150%; color: rgb(153, 153, 153);font-family:arial;"><span style=""><br /><span lang="EN-US"></span></span><span style="" lang="EN-US"><o:p></o:p></span></p> <p class="MsoNormal" style="line-height: 150%; color: rgb(153, 153, 153);font-family:arial;"><span style="" lang="EN-US">1983</span><span style="">年生於台灣台北</span><span style="">,國立台北藝術大學美術學系畢業,將於<span lang="EN-US">2009</span>年進入德國慕尼黑藝術學院就讀,</span><span style="">作品多集中於錄像、攝影以及水墨創作,現在工作與生活於台灣台北,為自由藝術家。<span lang="EN-US"><o:p></o:p></span></span></p> <p class="MsoNormal" style="background: white none repeat scroll 0% 50%; text-indent: 20pt; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial; color: rgb(153, 153, 153);font-family:arial;"><span style="" lang="EN-US"><br /></span><span style="" lang="EN-US">聯展:<span lang="EN-US"><o:p></o:p></span><br />2008<br /></span><span style=""> 「徐思穎 林書楷 林建志」 三個展,國立台北藝術大學南北畫廊</span><span style="">,台北<span lang="EN-US"><o:p></o:p></span></span></p> <p style="color: rgb(153, 153, 153);font-family:arial;" class="MsoNormal"><span lang="EN-US" style="font-family:arial;">2007</span><span style="font-family:arial;"><br /></span><span style="font-family:arial;">「OPENSPACE」</span><span style="font-family:arial;">,卡塞爾藝術學院,德國<span lang="EN-US"><br /><span style=""> </span></span></span><span style="font-family:arial;">「美術學系<span lang="EN-US">22th</span>畢業展」 國立台北藝術大學地下美術館,台北</span><span lang="EN-US" style="font-family:arial;"><o:p></o:p></span><br /><span lang="EN-US" style="font-family:arial;"><span style=""> </span></span><span style=""><span style="font-family:arial;">「參千元的打字機」 徐思穎 徐德宇 林書楷三人聯展</span><span lang="EN-US"><o:p></o:p></span></span></p> <p style="color: rgb(153, 153, 153);font-family:arial;" class="MsoNormal"><span lang="EN-US" style="font-family:arial;"><o:p> </o:p></span><span lang="EN-US" style="font-family:arial;">2006 </span><span lang="EN-US" style="font-family:arial;"><span style=""> </span></span><span style=""><br /><span style="font-family:arial;">「第一屆當代台北水墨雙年展」 國父紀念館,台北</span><span lang="EN-US"><o:p></o:p></span></span></p> <p class="MsoNormal" style="background: white none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial; color: rgb(153, 153, 153);font-family:arial;"><span style=""><br /></span></p><p class="MsoNormal" style="background: white none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial; color: rgb(153, 153, 153);font-family:arial;"><span style="">獲獎:<span lang="EN-US"><o:p></o:p></span></span></p> <p style="color: rgb(153, 153, 153);" class="MsoNormal"><span lang="EN-US" style="font-family:arial;">2007 </span><span lang="EN-US" style="font-family:arial;">第四屆牯嶺街創意市集,金頭獎<span lang="EN-US"><o:p></o:p></span><br />2006 </span><span style=""><span style="font-family:arial;">第一屆當代水墨台北雙年展,入圍</span></span></p><p style="color: rgb(153, 153, 153);" class="MsoNormal"><br /><span style=""><span lang="EN-US"><o:p></o:p></span></span></p><p style="color: rgb(153, 153, 153);" class="MsoNormal"><b style=""><i style=""><span lang="EN-US"><br /></span></i></b></p><p style="color: rgb(153, 153, 153);" class="MsoNormal"><b style=""><i style=""><span lang="EN-US">Hsu, Szu-Ying<o:p></o:p></span></i></b></p> <p style="color: rgb(153, 153, 153);" class="MsoNormal"><span lang="EN-US">Born in <st1:place st="on"><st1:city st="on">Taipei</st1:city>, <st1:country-region st="on">Taiwan</st1:country-region></st1:place> in 1983, work in the main fact with the<br />digital image at present, speciality for make videos, photograph<br />and Ink and wash painting. Now work and live in <st1:place st="on"><st1:city st="on">Taipei</st1:city>, <st1:country-region st="on">Taiwan</st1:country-region></st1:place>. </span></p> <p style="color: rgb(153, 153, 153);" class="MsoNormal"><span lang="EN-US"><o:p> </o:p></span></p><br /><p style="color: rgb(153, 153, 153);" class="MsoNormal"><b style=""><span lang="EN-US">Education<o:p></o:p></span></b></p> <p style="color: rgb(153, 153, 153);" class="MsoNormal"><span lang="EN-US"><span style="font-size:78%;">2009</span><span style=""> </span>Akademie der Bildenden Künste München<b style=""><o:p></o:p></b><br />2007<span style=""> </span>BFA, Department of Fine Arts, <st1:place st="on"><st1:placename st="on">Taipei</st1:placename> <st1:placename st="on">National</st1:placename> <st1:placetype st="on">University</st1:placetype></st1:place> of the Arts</span></p> <p style="color: rgb(153, 153, 153);" class="MsoNormal"><span lang="EN-US"><br /></span></p><p class="MsoNormal" style="background: white none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial; color: rgb(153, 153, 153);"><span style="color: rgb(153, 153, 153); font-weight: bold;" lang="EN-US">Exhibitions</span><span style="color: rgb(153, 153, 153);">:</span><span style="color: rgb(102, 102, 102);" lang="EN-US"><o:p></o:p></span></p><p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt; color: rgb(102, 102, 102);"><span style="font-size:85%;">2008</span></p><p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt; color: rgb(153, 153, 153);"><span lang="EN-US"><span style=";font-family:arial;font-size:100%;" >Hsu, Szu-Ying Solo Exhibition, Nan-Bei Gallery TNUA, </span><st1:city st="on"><st1:place st="on"><span style=";font-family:arial;font-size:100%;" >Taipe</span>i</st1:place></st1:city></span></p><p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt; color: rgb(153, 153, 153);"><span lang="EN-US"><st1:city st="on"><st1:place st="on"><br /></st1:place></st1:city></span></p><p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt; color: rgb(153, 153, 153);"><span style="color: rgb(102, 102, 102);font-size:85%;" >2007</span> <span style="color: rgb(153, 153, 153);"><br /></span></p><p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt; color: rgb(153, 153, 153);"><span style="color: rgb(153, 153, 153);">OPEN SPACE, </span><st1:city st="on">Kassel</st1:city>, Germany<br /></p><span style="color: rgb(153, 153, 153);" lang="EN-US"><st1:place st="on"></st1:place></span><span style="color: rgb(153, 153, 153);" lang="EN-US"> 22th Graduation Exhibition of Department of Fine Arts</span><span style="color: rgb(153, 153, 153);" lang="EN-US">,</span><span style="color: rgb(153, 153, 153);" lang="EN-US"> <st1:placename st="on">Comprehensive</st1:placename> <st1:placetype st="on">Museum</st1:placetype>, TNUA, <st1:city st="on"><st1:place st="on">Taipei</st1:place></st1:city></span><span style="color: rgb(153, 153, 153);"> </span><br /><p class="MsoNormal"><span lang="EN-US"><span style=""> </span></span><span style="color: rgb(153, 153, 153);" lang="EN-US">3,000-NTD Typewriter</span><span style="" lang="EN-US">,</span><span style="color: rgb(153, 153, 153);" lang="EN-US"> Co-organized by Hsu, Szu-Ying, Hsu, Te-Yu and Lin,Shu-Kai, Nan-Bei Gallery TNUA, Taipei</span></p><p class="MsoNormal"><span style="color: rgb(153, 153, 153);" lang="EN-US"><br /></span></p> <p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt; color: rgb(153, 153, 153);"><span lang="EN-US"><st1:place st="on"><st1:city st="on"></st1:city></st1:place></span></p> <p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt; color: rgb(153, 153, 153);"><span lang="EN-US"><span style="color: rgb(102, 102, 102);font-size:85%;" >2006</span><br /></span></p><p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt; color: rgb(153, 153, 153);"> </p><p style="color: rgb(153, 153, 153);" class="MsoNormal"><span lang="EN-US">Taipei International Modern Ink Painting Biennial</span><span style="" lang="EN-US">,</span><span lang="EN-US"> National Dr. Sun, Yat-sen Memorial Hall, Taipei</span></p> <p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt; color: rgb(153, 153, 153);"><span lang="EN-US"><st1:place st="on"><st1:city st="on"></st1:city></st1:place></span></p> <p style="color: rgb(153, 153, 153);" class="MsoNormal"><span style="color: rgb(102, 102, 102);" lang="EN-US"><br /><span style="font-weight: bold; color: rgb(153, 153, 153);">Awards</span></span><span style="font-weight: bold; color: rgb(153, 153, 153);">:</span><span style="color: rgb(102, 102, 102);" lang="EN-US"><o:p></o:p></span></p> <p style="color: rgb(153, 153, 153);" class="MsoNormal"><span lang="EN-US"><span style="color: rgb(102, 102, 102);font-size:85%;" >2007</span><span style="color: rgb(102, 102, 102);"> </span><br /></span></p><p style="color: rgb(153, 153, 153);" class="MsoNormal"><span lang="EN-US"><span style=""> </span>Golden Mind Award, 4th <st1:street st="on"><st1:address st="on">Ku-Ling Street</st1:address></st1:street> Creativity Fair</span></p><p style="color: rgb(153, 153, 153);" class="MsoNormal"><span lang="EN-US"><span style="color: rgb(102, 102, 102);font-size:85%;" >2006 </span><br /></span></p><p style="color: rgb(153, 153, 153);" class="MsoNormal"><span lang="EN-US"><span style=""> </span>Excellent Prize, First <st1:place st="on"><st1:city st="on">Taipei</st1:city></st1:place> International Modern Ink Painting Biennial</span></p><p style="color: rgb(153, 153, 153);" class="MsoNormal"><span lang="EN-US"><br /></span></p> <p class="MsoNormal" style="background: white none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial; color: rgb(153, 153, 153);"><span style="color: rgb(102, 102, 102);" lang="EN-US"><o:p> </o:p></span></p> <p class="MsoNormal" style="background: white none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial; color: rgb(153, 153, 153);"><span style="font-size:85%;"><b style=""><span lang="EN-US">Information<o:p></o:p></span></b><br /></span><span style="" lang="EN-US">Email: <a href="mailto:taiwansandy@hotmail.com"><b>taiwansandy@hotmail.com</b></a><br /><span style="font-size:85%;"><a style="font-family: times new roman;" href="http://www.flickr.com/photos/hsu0408">http://www.flickr.com/photos/hsu0408</a></span><o:p></o:p></span></p><br /><span style=""><br /><br /><br /><br /></span>Nat,Niuhttp://www.blogger.com/profile/11860864954144933566noreply@blogger.com0tag:blogger.com,1999:blog-7079676972011757535.post-44743701889041092612008-06-16T23:38:00.000-07:002008-06-16T23:57:38.019-07:00余政達Yu, Cheng-Ta 「她是我阿姨,She is my aunt」<p class="MsoNormal" style="font-family:arial;"><span style="font-size:85%;"><br /></span></p><p class="MsoNormal" style="font-family:arial;"><span style="font-size:85%;">影像裝置,<span style="" lang="EN-US">7</span>分<span style="" lang="EN-US">07</span>秒,<span style="" lang="EN-US">2008</span><span style=""> <span lang="EN-US"><o:p></o:p></span></span></span></p> <p class="MsoNormal" style="font-family:arial;"><span style="" lang="EN-US"><span style="font-size:85%;">Video installation, 7’07”, 2008,</span> <o:p></o:p></span></p> <p class="MsoNormal" style="text-indent: 18pt;font-family:arial;"><span style="" lang="EN-US"><span style=""> </span><o:p></o:p></span><br /><span style="font-family:georgia;">利用一段描述阿姨的文字,企圖將自己與她產生曖昧的關係,似親人的口吻卻又不是太熟,在觀眾進入影像之前,先投入一份記憶,找到角色上的對位關係,影像內容利用類似肥皂短片的形式,在原本寫實的事件上,加入罐頭音樂及字幕,來渲染成荒謬的氣氛,起程轉和做作的展現,文字跟影音系統的搭配,雙重層次加深彼此的曖昧關係,形成回圈。</span><span lang="EN-US" style="font-family:georgia;"><o:p></o:p></span></p> <p class="MsoNormal" style="text-indent: 9pt; font-family: arial;"><o:p style="font-family: georgia;"> </o:p> <span style="font-family:georgia;">「她是我阿姨」 從標題中就希望讓人進入文字的想像,這個想像中,牽引著我成為媒體的一部份,這些文字顛倒了事件本身的順序,讓我成為第一人稱,事件重新的發生,在超乎媒體寫實的影像品質中,引薦文字與影像間的可信成份,在展覽場中,發生一種私密與公眾間的有趣關係,而這也是媒體環境最常在操弄的。作品中,我想像就是靠著這種公眾與私密的回圈,發生有趣的閱讀,在這些笑聲後,仍能看見隱身在媒體背後的身體。</span><span lang="EN-US"><o:p></o:p></span></p> <div dragover="true" style="border-style: none none solid; padding: 0cm 0cm 1pt;font-family:arial;"> <p class="MsoNormal" style="text-indent: 24pt;"><span style="" lang="EN-US"><o:p><br /></o:p></span><br /><span style="font-weight: bold;">藝評</span></p><p class="MsoNormal" style="text-indent: 24pt;"><span style="font-weight: bold;"></span><span style="" lang="EN-US"><o:p></o:p></span><br /><span style=""><span style="font-family:arial;">《她是我阿姨》中,作者利用手持攝影機跟拍一個媒體環繞的激情群眾帶著小孩穿過拒馬的現場,企圖補捉「再媒體化」的動態過程,並有意識的稱呼影片主角為「阿姨」並書寫一段文字。作品中的主角原本只是一個平凡的人物,在作品中,攝影機像觸鬚一樣,捕捉整個事件過程,使得她被推上了媒體舞台,所有影片中的參與者、幕後綜藝效果的配音及作者有意識的稱主角為「阿姨」,都讓這段影片變成有意義的事件。作者表達了在媒體化的過程中,我們與真實的事物疏離、與虛擬的媒體影像親近,此刻,媒體成了事實的製造者,虛擬的媒體影像比「真實的自我」更加真實。</span></span></p><br /><p class="MsoNormal" style="text-indent: 24pt;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMiOMCLB6nlO5jlD5B6gu4g9-K3zZNdbanz87TncgOa98G69WJbsKAFwFwS9iiiNSKjWO6nO7hzeQU0Tj_-QE6a4RHOB_ajF6NVQKYd0NOvizrnJOoJBZfGbh9t1tJD7mGPKrBdBRMrJvi/s1600-h/%E7%85%A7%E7%89%872.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 372px; height: 293px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMiOMCLB6nlO5jlD5B6gu4g9-K3zZNdbanz87TncgOa98G69WJbsKAFwFwS9iiiNSKjWO6nO7hzeQU0Tj_-QE6a4RHOB_ajF6NVQKYd0NOvizrnJOoJBZfGbh9t1tJD7mGPKrBdBRMrJvi/s320/%E7%85%A7%E7%89%872.jpg" alt="" id="BLOGGER_PHOTO_ID_5212739042994247170" border="0" /></a></p><br /><p class="MsoNormal" style="text-indent: 24pt;"><br /></p><br /><p class="MsoNormal" style="text-indent: 24pt;"><br /></p><br /><p class="MsoNormal" style="text-indent: 24pt;"><br /></p><br /><p dragover="true" class="MsoNormal" style="text-indent: 24pt;"><br /></p><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjth1ylP1Nf4BXBs13LNXwBJT8JCFKw5pikMUr82pcWdy_L2g1e4-EXrkn4qOpeBFg9vozFxD8SP3o_9gHkczGL0hWEVniAQLTHzrYGbXn58Vpmtk6y_FDq8oE05V_U6hR6Gqt7xHut-QGZ/s1600-h/P4114552-2.jpg"><img dragover="true" style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 372px; height: 278px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjth1ylP1Nf4BXBs13LNXwBJT8JCFKw5pikMUr82pcWdy_L2g1e4-EXrkn4qOpeBFg9vozFxD8SP3o_9gHkczGL0hWEVniAQLTHzrYGbXn58Vpmtk6y_FDq8oE05V_U6hR6Gqt7xHut-QGZ/s320/P4114552-2.jpg" alt="" id="BLOGGER_PHOTO_ID_5212740047593600658" border="0" /></a><br /><p dragover="true" class="MsoNormal" style="text-indent: 24pt;"><br /></p><br /><p dragover="true" class="MsoNormal" style="text-indent: 24pt;"><br /></p><br /><p dragover="true" class="MsoNormal" style="text-indent: 24pt;"><br /></p><br /><p dragover="true" class="MsoNormal" style="text-indent: 24pt;"><br /></p><br /><p dragover="true" class="MsoNormal" style="text-indent: 24pt;"><br /></p><br /><p dragover="true" class="MsoNormal" style="text-indent: 24pt;"><br /></p><p dragover="true" class="MsoNormal" style="text-indent: 24pt;"><br /></p><p dragover="true" class="MsoNormal" style="text-indent: 24pt;"><br /></p></div> <p class="MsoNormal" style="text-indent: 24pt;"><br /></p><p class="MsoNormal" style="text-indent: 24pt;"></p><span style="">簡歷</span><b><span style="" lang="EN-US"> curriculum vitae </span></b> <p class="MsoNormal"><span lang="EN-US"><o:p> </o:p></span></p> <p style="color: rgb(102, 102, 102);" class="MsoNoSpacing"><span lang="EN-US"><o:p> </o:p></span></p> <p style="color: rgb(102, 102, 102);" class="MsoNoSpacing"><span lang="EN-US"><o:p> </o:p></span></p> <p style="color: rgb(102, 102, 102);" class="MsoNoSpacing"><span lang="EN-US"><o:p> </o:p></span></p> <p style="color: rgb(102, 102, 102);" class="MsoNormal"><span lang="EN-US"><o:p> </o:p></span></p> <p class="MsoNormal" style="text-indent: 20pt; color: rgb(102, 102, 102);"><span lang="EN-US" style="font-size:100%;"><o:p> </o:p></span></p><span style="">我的想像中,影像界面與觀眾間存在著一段無可丈量的距離,曖昧的存在,像是一層膜,有厚度、有質地、有空間,我在這段距離中尋找著人與影像間的對應關係,</span> 運用影像的同時,不是順勢,而是進行反叛的可能。<br /><br /><span lang="EN-US" style="font-size:100%;">當影像佔據生活中的記憶跟感覺,一切故事都能以流暢的影像想像的同時,它已進入我們的全面,且改變身體感知的狀態,加上數位媒體的生活發展,身體的處境更趨向機具化,及身分的飄移及可變動性發生。在我的作品中,大多對應當代的影像環境作為出發,進行界面空間化及自我媒體化的方式在操作著。</span><span lang="EN-US" style="font-size:100%;"><br /><br />I imagine there is an immeasurable distance between the spectators and the image interface. This distance exists ambiguously; it’s like a layer of membrane, with thickness, texture, and occupies a space. Within this distance, I look for the relations between human and images, traveling against the grain and not going with the flow.</span><span lang="EN-US" style="font-size:100%;"><br /><br />When images occupy the everyday feeling and memory, and while every story could be imagined by flowing images, images have already thrust into us with full force and changed the bodily senses. With human living within the surroundings of digital media, the body becomes mechanical, and the possibility of the identity mobility increases in everyday life. Most of my works initiates with corresponding to the contemporary image surroundings, and operates with ways of putting interfaces into space and thus becoming a medium all by themselves.</span><p class="MsoNormal" style="text-indent: 20pt; color: rgb(102, 102, 102);"><span lang="EN-US" style="font-size:100%;"><br />1983</span><span style="font-size:100%;">年生於台灣台南</span></p><p class="MsoNormal" style="text-indent: 20pt; color: rgb(102, 102, 102);"><span style="font-size:100%;"><o:p></o:p><br />聯展:</span></p><p class="MsoNormal" style="text-indent: 20pt; color: rgb(102, 102, 102);"><span lang="EN-US" style="font-size:100%;"><o:p></o:p><br />2008 </span><span style="font-size:100%;">「</span><span lang="EN-US" style="font-size:100%;">NO ERROR LOST</span><span style="font-size:100%;">」,南海藝廊,臺北</span></p><p class="MsoNormal" style="text-indent: 20pt; color: rgb(102, 102, 102);"><span style="font-size:100%;"><o:p></o:p><br />2007<br />「臺北</span><span lang="EN-US" style="font-size:100%;">. </span><span style="font-size:100%;">福岡</span><span lang="EN-US" style="font-size:100%;"><span style=""> </span></span><span style="font-size:100%;">現代美術交流展」,關渡美術館,臺北<br />「</span><span lang="EN-US" style="font-size:100%;">OPEN SPACE</span><span style="font-size:100%;">」,卡塞爾藝術學院,德國<br />「福岡</span><span lang="EN-US" style="font-size:100%;">. </span><span style="font-size:100%;">臺北</span><span lang="EN-US" style="font-size:100%;"><span style=""> </span></span><span style="font-size:100%;">現代美術交流展」,福岡市立美術館,日本<br />「</span><span lang="EN-US" style="font-size:100%;">2006</span><span style="font-size:100%;">高雄獎」,高雄市立美術館,高雄<br />「零至零」,國立台北教育大學防空洞藝廊,台北</span></p><p class="MsoNormal" style="text-indent: 20pt; color: rgb(102, 102, 102);"><span lang="EN-US" style="font-size:100%;"><o:p></o:p><br />2006 </span><span style="font-size:100%;"><br />「關嬉公園」,國立台北藝術大學地下美術館,台北</span><span style="font-size:100%;"><o:p></o:p><br />「身體處境」,國立台灣藝術大學,台北</span><span lang="EN-US" style="font-size:100%;"><o:p></o:p></span></p> <p class="MsoNormal" style="text-indent: 20pt; color: rgb(102, 102, 102);"><span lang="EN-US" style="font-size:100%;"><o:p> </o:p></span></p> <p style="color: rgb(102, 102, 102);" class="MsoNormal"><span style="font-size:100%;">獲獎:</span><span lang="EN-US" style="font-size:100%;"><o:p></o:p></span></p> <p style="color: rgb(102, 102, 102);" class="MsoNormal"><span lang="EN-US" style="font-size:100%;">2008<span style=""> </span><span style=""> </span></span><span style=";font-family:細明體;font-size:100%;" lang="EN-US" >2008</span><span style=";font-family:細明體;font-size:100%;" >美術創作卓越獎<span lang="EN-US"><o:p></o:p></span></span></p> <p style="color: rgb(102, 102, 102);" class="MsoNormal"><span lang="EN-US" style="font-size:100%;">2007<span style=""> </span></span><span style=";font-family:細明體;font-size:100%;" lang="EN-US" ><span style=""> </span>2006</span><span style=";font-family:細明體;font-size:100%;" >高雄獎,複合材類獲選</span><span lang="EN-US" style="font-size:100%;"><o:p></o:p></span></p> <p style="color: rgb(102, 102, 102);" class="MsoNormal"><span lang="EN-US" style="font-size:100%;">2006</span><span style=";font-family:細明體;font-size:100%;" lang="EN-US" > <span style=""> </span>2006</span><span style=";font-family:細明體;font-size:100%;" >世安美學獎,造型藝術類</span></p><p style="color: rgb(102, 102, 102);" class="MsoNormal"><br /><span style=";font-family:細明體;font-size:100%;" ><span lang="EN-US"><o:p></o:p></span></span></p> <p class="MsoNormal" style="margin-left: 36pt; line-height: 150%; color: rgb(102, 102, 102);"><span style="line-height: 150%;font-family:細明體;font-size:100%;" lang="EN-US" ><o:p> </o:p></span></p> <p style="color: rgb(102, 102, 102);font-family:times new roman;" class="MsoNoSpacing"><span lang="EN-US" style="font-size:100%;">Yu Cheng-Ta</span></p> <p style="color: rgb(102, 102, 102);font-family:times new roman;" class="MsoNoSpacing"><span lang="EN-US" style="font-size:100%;">1983 Born in Tainan, Taiwan<o:p></o:p><br />Information: <a href="mailto:Chengta227@gmail.com">Chengta227@gmail.com</a></span></p> <p style="color: rgb(102, 102, 102);font-family:times new roman;" class="MsoNoSpacing"><span lang="EN-US" style="font-size:100%;"><o:p> </o:p></span></p> <p style="color: rgb(102, 102, 102);font-family:times new roman;" class="MsoNoSpacing"><span lang="EN-US" style="font-size:100%;">Group Exhibitions</span><span style="font-size:100%;">:</span><span lang="EN-US" style="font-size:100%;"><o:p></o:p></span></p> <p style="color: rgb(102, 102, 102);font-family:times new roman;" class="MsoNoSpacing"><span lang="EN-US" style="font-size:100%;">2008<span style=""> </span><o:p></o:p><br />“NO ERROR LOST”, Nanhei Gallery Taipei<o:p></o:p></span></p> <p style="color: rgb(102, 102, 102);font-family:times new roman;" class="MsoNoSpacing"><span lang="EN-US" style="font-size:100%;"><o:p> </o:p></span></p> <p style="color: rgb(102, 102, 102);font-family:times new roman;" class="MsoNoSpacing"><span lang="EN-US" style="font-size:100%;">2007 <o:p></o:p><br />“Taipei .Fukuoka Interchanging Exhibition</span><span lang="EN-US" style="font-size:100%;">”, </span><span lang="EN-US" style="font-size:100%;">Kuandu museum of fine arts, Taipei</span><span lang="EN-US" style="font-size:100%;"><o:p></o:p><br />“OPEN SPACE”, Kassel, Germany<o:p></o:p><br />“Art Party”,</span><span lang="EN-US" style="font-size:100%;"> </span><span lang="EN-US" style="font-size:100%;">Fukuoka Art Museum, Japan</span><span lang="EN-US" style="font-size:100%;"><o:p></o:p><br />“Kaohsiung Awards of 2006”, Kaohsiung Museum of Fine Arts, Kaohsiung<o:p></o:p><br />“ 0 – 0 “, National Taipei University of Eduaction<span class="transtext1"><span style="background: white none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;"> gallery</span></span>, Taipei</span></p> <p style="color: rgb(102, 102, 102);font-family:times new roman;" class="MsoNoSpacing"><span lang="EN-US" style="font-size:100%;"><o:p></o:p><br />2006<span style=""><br /></span>“ GUAN C PARK” ,TNUA<span class="transtext1"><span style="background: white none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;"> </span></span><span class="transtext1"><span style="background: white none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;">Comprehensive gallery</span></span><span style="background: white none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;"> </span>, Taipei<o:p></o:p><br />“ Intermedatine” ,NTUA, Taipei <o:p></o:p></span></p> <p style="color: rgb(102, 102, 102);font-family:times new roman;" class="MsoNoSpacing"><span lang="EN-US" style="font-size:100%;"><o:p> </o:p></span></p> <p style="color: rgb(102, 102, 102);font-family:times new roman;" class="MsoNoSpacing"><span lang="EN-US" style="font-size:100%;">Awards</span><span style="font-size:100%;">:</span><span lang="EN-US" style="font-size:100%;"><o:p></o:p><br />2008<span style=""> </span>2008 Outstanding Art Work Prize of Fine Arts Department<o:p></o:p><br />2007<span style=""> </span>2006 Kaohsiung Awards in the field of mixed media, Kaohsiung<o:p></o:p><br />2006<span style=""> </span><span style=""> </span>Special bunes, S-An cultural Foundation, Taipei</span></p><br /><p style="color: rgb(102, 102, 102);" class="MsoNoSpacing"><a style="color: rgb(255, 153, 102);" href="http://yuchengta.blogspot.com/"><span style="color: rgb(255, 153, 102);font-size:85%;" >http://yuchengta.blogspot.com/</span></a><br /></p><br /><p style="color: rgb(102, 102, 102);" class="MsoNoSpacing"><br /></p><p class="MsoNoSpacing"><br /><span lang="EN-US" style="font-size:10;"><o:p></o:p></span></p>Taiwan-Israelhttp://www.blogger.com/profile/07260608420076148645noreply@blogger.com0tag:blogger.com,1999:blog-7079676972011757535.post-3274813316887592832008-06-16T14:44:00.000-07:002008-06-22T11:04:24.154-07:00牛俊強 「邊境Outland」<span style="font-size:100%;"><br /><br /><br /><span style="font-size:130%;"><a href="http://www.flickr.com/photos/natniu/sets/72157603957930285/"><span style="font-weight: bold;">邊境</span></a></span><span lang="EN-US"><o:p></o:p></span></span> <p class="MsoNormal" style="font-family:times new roman;"><span style="font-size:100%;"><o:p> </o:p><span style="font-size:85%;">影像輸出 </span><span lang="EN-US" style="font-size:85%;">/ </span><span style="font-size:85%;">單頻道錄影</span><span lang="EN-US"><span style="font-size:85%;"> </span><span style="font-size:85%;">2008</span><o:p></o:p></span></span></p> <p style="color: rgb(102, 102, 102);font-family:times new roman;" class="MsoNormal"><span lang="EN-US" style="font-size:100%;">2007</span><span style="font-size:100%;">年<span lang="EN-US">10</span>月,右眼因視網膜破洞,接受雷射手術。手術後出現一些症狀如右眼瞳孔收縮較慢,出現眼痛、視力模糊、畏光、複影、空間的深淺遠近判斷變差等。<span lang="EN-US"><o:p></o:p></span>接下來的半年,隨著症狀的時好時壞,我開始逃避「清晰」這件事情<span lang="EN-US">—</span>越想要看清楚,「模糊」的邊界就愈分明。<span lang="EN-US"><o:p></o:p></span></span></p> <p style="color: rgb(102, 102, 102);font-family:times new roman;" class="MsoNormal"><span style="font-size:100%;"><o:p> </o:p>這一系列的作品,我於夜晚拍攝城市中的大面積空地,如河濱公園的足球場、操場、正在施工的工地等邊緣性的場域。經由修像的方式,製造了一個更陌生的風景<span lang="EN-US">--</span>它並不是忠實顯現我所見,而是將身體感<span lang="EN-US">(</span>殘缺<span lang="EN-US">)</span>轉化到影像上,機器為身體負載。於是,幽澀微光中,均質靜默的地景,是走不進的身體。<span lang="EN-US"><o:p></o:p></span></span></p> <p style="color: rgb(102, 102, 102);font-family:times new roman;" class="MsoNormal"><span style="font-size:100%;"><o:p></o:p>這些風景的想像本來是動態的畫面<span lang="EN-US">—</span>我飄浮在絕對的黑暗中,前方一圈微光,打在一片平坦的草地上。漸漸緩慢的,我向那圈光暈靠近、靠近,黑暗像波浪安靜地包圍,隨著前進,身下的草地跟著光暈無止盡的向後退。<span lang="EN-US"><o:p></o:p></span></span></p> <p style="color: rgb(102, 102, 102);font-family:times new roman;" class="MsoNormal"><span style="font-size:100%;"><o:p> </o:p>「<span lang="EN-US">Outland</span>」之意為邊境。它與<span lang="EN-US">border</span>和<span lang="EN-US">frontier</span>不同是,「<span lang="EN-US">out</span>」的位置性更明顯<span lang="EN-US">—</span>有中心裡外的對應。但觀者無法從影像中尋找座標位置,主體<span lang="EN-US">(</span>攝影機、觀者<span lang="EN-US">)</span>是無從凝視的狀態,它欲抹去畫面的焦點,但失焦也是一種聚焦,看似有機的場域,被處理描繪為<span lang="EN-US">CG(computer graphic)</span>均質質感。這種拉扯的狀態,對應了我對影像創作的另一種逃離,及對某些當代風景的無聲對抗。</span></p><p class="MsoNormal" style="font-family:times new roman;"><span style="font-size:100%;"><br /></span></p><p class="MsoNormal" style="font-family:times new roman;"></p><p class="MsoNormal" style="font-family:times new roman;"><span lang="EN-US" style="font-size:100%;"><o:p> </o:p></span></p> <p class="MsoNormal" style="font-family:times new roman;"><span lang="EN-US" style="font-size:100%;"><o:p> </o:p></span></p> <p class="MsoNormal" style="font-family:times new roman;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://farm4.static.flickr.com/3186/2451086139_dee25a74bc_o.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 285px; height: 189px;" src="http://farm4.static.flickr.com/3186/2451086139_dee25a74bc_o.jpg" alt="" border="0" /></a></p><p class="MsoNormal" style="font-family:times new roman;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://farm3.static.flickr.com/2190/2286597968_cffb7539b7_o.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 286px; height: 198px;" src="http://farm3.static.flickr.com/2190/2286597968_cffb7539b7_o.jpg" alt="" border="0" /></a></p> <p class="MsoNormal" style="font-family:times new roman;"><br /><span style="font-size:100%;"><span lang="EN-US"><o:p></o:p></span></span></p><p dragover="true" class="MsoNormal" style="font-family:times new roman;"><span lang="EN-US" style="font-size:100%;"><span style="font-weight: bold;"><br /></span></span></p> <p dragover="true" class="MsoNormal" style="font-family:times new roman;"><span lang="EN-US" style="font-size:100%;"><span style="font-weight: bold;"><br /></span></span></p><p class="MsoNormal" face="times new roman"><span lang="EN-US" style="font-size:100%;"><span style="font-weight: bold;"><br /></span></span></p><p class="MsoNormal" face="times new roman"><br /></p><p class="MsoNormal" style="font-family: times new roman;"><br /></p><br /><p class="MsoNormal" style="font-family: times new roman;"><br /></p><br /><p class="MsoNormal" style="font-family: times new roman;"><br /></p><br /><p class="MsoNormal" style="font-family: times new roman;"><br /></p><p class="MsoNormal" style="font-family: times new roman;"><br /></p><br /><br /><p class="MsoNormal" style="font-family: times new roman;"><br /></p> <p class="MsoNormal" face="times new roman"><span lang="EN-US" style="font-size:100%;"><span style="font-weight: bold;"><br />Outland</span><br /><o:p></o:p><span style="font-size:85%;">Digital Graphics / Video</span><span style="font-size:85%;"> </span><span style="font-size:85%;">2008</span><o:p></o:p></span></p> <p class="MsoNormal" style="text-align: justify;font-family:times new roman;"><span lang="EN-US" style="font-size:100%;"><o:p></o:p>October 2007 I had a surgery on my right eye </span><span lang="EN-GB" style="font-size:100%;">due to retinal damages. Ever since the surgery I started having symptoms such as slower pupil reactions, discomforts around the eyes, blurred and doubled visions, sensitive to lights, worsen judgements on space and distance etc. In the following six months, with these symptoms continued to be unstable, I started to avoid clarity, the more I desire to see better the more obvious it becomes where the boundary to blurriness is drawn.<span style=""> </span><o:p></o:p></span></p> <p class="MsoNormal" style="text-align: justify;font-family:times new roman;"><span lang="EN-US" style="font-size:100%;"><o:p></o:p>This series of work</span><span lang="EN-GB" style="font-size:100%;"> was taken at night in rural places in the city such as huge wastelands, football stadium by the park, racing tracks and under-constructed building sites. By making further adjustments and changes to the images, an even more unfamiliar scenery was created, it did not objectively and truthfully represent what I have seen and instead, my body senses (physical disabilities) were transformed on to these images, as if the machine was possessed by my body. In the softened beam of light, this silent and settled land is the body that cannot be entered.<o:p></o:p></span></p> <p class="MsoNormal" style="text-align: justify;font-family:times new roman;"><span lang="EN-US" style="font-size:100%;"><o:p> </o:p>These imaginary visions of sceneries </span><span lang="EN-GB" style="font-size:100%;">were once moving images – I was floating in the absolute darkness and right in front of me there was a ring of faint light shinning on a flat and smooth patch of green, slowly and gradually I moved towards the ring of light, closer and closer, the darkness revolved around me quietly like waves. As I was moving foreword, the patch of green beneath me went infinitely into the opposite direction with the beam of lights.<o:p></o:p></span></p> <p class="MsoNormal" style="text-align: justify;font-family:times new roman;"><span lang="EN-US" style="font-size:100%;"><o:p> </o:p>What differentiates </span><span lang="EN-GB" style="font-size:100%;">o</span><span lang="EN-US" style="font-size:100%;">utland </span><span lang="EN-GB" style="font-size:100%;">from</span><span lang="EN-US" style="font-size:100%;"> border and frontier is that the location is </span><span lang="EN-GB" style="font-size:100%;">pointed out</span><span lang="EN-US" style="font-size:100%;"> more obvious</span><span lang="EN-GB" style="font-size:100%;">ly</span><span lang="EN-US" style="font-size:100%;"> with the word out, corresponding a relative relationship between the exterior and the interior of a central point. But the spectators cannot locate the coordinates in these images, the subject (camera, viewers) is in a position of being unable to see, it intends to wipe off the focus point in the image, however losing can also be perceived as</span><span lang="EN-GB" style="font-size:100%;"> concentrating on</span><span lang="EN-US" style="font-size:100%;"> a focal point, a site that appears to be organic is </span><span lang="EN-GB" style="font-size:100%;">now </span><span lang="EN-US" style="font-size:100%;">processed and made to be </span><span lang="EN-GB" style="font-size:100%;">looked like and </span><span lang="EN-US" style="font-size:100%;">described as </span><span lang="EN-GB" style="font-size:100%;">having </span><span lang="EN-US" style="font-size:100%;">computer graphic qualities. </span><span lang="EN-GB" style="font-size:100%;">This contradictory situation is a reflection of a silent protest against particular contemporary circumstances and another way of escaping from my photographic works.</span></p><br /><p class="MsoNormal" face="times new roman" style="text-align: justify;"><br /></p> <p class="MsoNormal" face="times new roman"><span lang="EN-US" style="font-size:100%;"><o:p> </o:p></span></p><span style="color: rgb(102, 102, 102);font-family:arial;font-size:100%;" >簡歷</span><span style="font-weight: bold; color: rgb(102, 102, 102);font-family:arial;font-size:100%;" lang="EN-US" > curriculum vitae</span> <p class="MsoNormal" style="text-align: justify; color: rgb(153, 153, 153);font-family:times new roman;"><span lang="EN-US" style="font-size:85%;">1<span style="color: rgb(153, 153, 153);">983 Born in Taipei</span><o:p></o:p><span style=""><br /></span></span><span lang="EN-US" style="font-size:85%;"></span></p><p class="MsoNormal" style="text-align: justify; color: rgb(153, 153, 153);font-family:times new roman;"><span lang="EN-US" style="font-size:85%;">2002-2006<span style=""> </span>B.F.A., </span><span lang="EN-US" style="font-size:85%;">architecture design</span><span lang="EN-US" style="font-size:85%;"> , Shih Chien University Taiwan</span></p><p class="MsoNormal" style="text-align: justify; color: rgb(153, 153, 153);font-family:times new roman;"><span lang="EN-US" style="font-size:85%;"><span style="">2006-2008 <span style=""></span></span></span><!--[endif]--><span lang="EN-US" style="font-size:85%;">M.F.A., Graduate School ,Taipei National University of the Arts</span></p><p class="MsoNormal" style="text-align: justify; color: rgb(153, 153, 153);font-family:times new roman;"><span lang="EN-US" style="font-size:85%;"><br /></span></p> <p class="MsoNormal" style="text-align: justify; color: rgb(153, 153, 153);font-family:times new roman;"><span lang="EN-US" style="font-size:100%;"><o:p> </o:p></span></p> <p class="MsoNormal" style="text-align: justify; color: rgb(51, 51, 51);font-family:times new roman;"><span style="font-size:100%;">牛俊強,</span><span lang="EN-US" style="font-size:100%;">1983</span><span style="font-size:100%;">年生,台北人。實踐大學室內空間設計學系畢業。目前就讀於台北藝術大學科技藝術研究所,從事影像、平面等多媒材創作。</span><span lang="EN-US" style="font-size:100%;"><o:p></o:p></span></p> <p class="MsoNormal" style="text-align: justify; color: rgb(51, 51, 51);font-family:times new roman;"><span style="font-size:100%;">早期作品以自身成長與居住經驗互相交錯產生的自我情緒為文本,指涉都市集體居住的焦慮。現階段的作品,以討論媒體觀看</span><span lang="EN-US" style="font-size:100%;">-</span><span style="font-size:100%;">影像與觀者之間重新對應,及時間展延在影像上的壓縮與重構為主。</span></p><p class="MsoNormal" style="text-align: justify; color: rgb(153, 153, 153);font-family:times new roman;"><br /><span lang="EN-US" style="font-size:100%;"><o:p></o:p></span></p> <p class="MsoNormal" style="text-align: justify; color: rgb(153, 153, 153);font-family:georgia;"><span lang="EN-US" style="font-size:100%;"><o:p> </o:p></span></p> <p style="color: rgb(153, 153, 153);font-family:times new roman;" class="MsoNormal"><span lang="EN-US" style="font-size:100%;">Chun-Chiang, Niu</span><span lang="EN-US" style="font-size:100%;"> </span><span lang="EN-US" style="font-size:100%;">.My major subject was architecture design ,graduated from Shih Chien University Taiwan. I’m the student of graduate school of art and technology, T.N.U.A. I'm good at video art , experimental film and multimedia creation.<o:p></o:p></span></p> <p class="MsoNormal" style="color: rgb(153, 153, 153);font-family:times new roman;"><span lang="EN-US" style="font-size:100%;">In the past, the text of my creation were about the</span><span lang="EN-US" style="font-size:100%;"> complex emotion I breed while I dwell and grow up in this city. After 2006, I tried to</span><span lang="EN-US" style="font-size:100%;"> </span><span lang="EN-US" style="font-size:100%;">redefine the relation between Media and viewers.</span><span lang="EN-US" style="font-size:100%;"> </span><span lang="EN-US" style="font-size:100%;">And other, I presented with video and graphic about time condensed.</span></p><p class="MsoNormal" style="color: rgb(153, 153, 153);font-family:times new roman;"><br /><span lang="EN-US" style="font-size:100%;"><o:p></o:p></span></p> <p class="MsoNormal" style="color: rgb(153, 153, 153);font-family:times new roman;"><span lang="EN-US" style="font-size:100%;"><o:p> </o:p></span></p> <p class="MsoNormal" style="color: rgb(153, 153, 153);font-family:times new roman;"><span lang="EN-US" style="font-size:100%;"><o:p> </o:p></span></p> <p class="MsoNormal" style="color: rgb(102, 102, 102);font-family:times new roman;"><span class="sg" style="font-size:100%;"><span style="">參展</span><span lang="EN-US"><o:p></o:p></span></span></p> <p style="margin: 0cm 0cm 0.0001pt 20pt; text-indent: -20pt; color: rgb(102, 102, 102);font-family:times new roman;"><span lang="EN-US" style="font-size:100%;">2006</span><span style="font-size:100%;">鹿特丹國際影展短片競賽</span><span lang="EN-US" style="font-size:100%;"><span style=""> </span></span><span style="font-size:100%;">地點</span><span lang="EN-US" style="font-size:100%;">:</span><span style="font-size:100%;">荷蘭</span><span style="font-size:100%;"> </span><span style="font-size:100%;">鹿特丹</span><span lang="EN-US" style="font-size:100%;"><o:p></o:p><br /></span></p><p style="margin: 0cm 0cm 0.0001pt 20pt; text-indent: -20pt; color: rgb(102, 102, 102);font-family:times new roman;"><span lang="EN-US" style="font-size:100%;">2006</span><span style="font-size:100%;">台北電影節</span><span lang="EN-US" style="font-size:100%;"><span style=""> </span></span><span style="font-size:100%;">地點</span><span lang="EN-US" style="font-size:100%;">:</span><span style="font-size:100%;">台北</span><span style="font-size:100%;"> </span><span style="font-size:100%;">中山堂</span><span lang="EN-US" style="font-size:100%;"> <o:p></o:p><br /></span></p><p style="margin: 0cm 0cm 0.0001pt 20pt; text-indent: -20pt; color: rgb(102, 102, 102);font-family:times new roman;"><span lang="EN-US" style="font-size:100%;">2006</span><span style="font-size:100%;">南方影展「南方特賞」</span><span lang="EN-US" style="font-size:100%;"><span style=""> </span></span><span style="font-size:100%;">地點</span><span lang="EN-US" style="font-size:100%;">:</span><span style="font-size:100%;">台南藝術大學</span><span lang="EN-US" style="font-size:100%;"><o:p></o:p><br /></span></p><p style="margin: 0cm 0cm 0.0001pt 20pt; text-indent: -20pt; color: rgb(102, 102, 102);font-family:times new roman;"><span lang="EN-US" style="font-size:100%;">2006</span><span style="font-size:100%;">第一屆台北數位藝術節</span><span lang="EN-US" style="font-size:100%;"><span style=""> </span></span><span style="font-size:100%;">地點</span><span lang="EN-US" style="font-size:100%;">:</span><span style="font-size:100%;">台北</span><span style="font-size:100%;"> </span><span style="font-size:100%;">中山堂</span><span lang="EN-US" style="font-size:100%;"><o:p></o:p><br /></span></p><p style="margin: 0cm 0cm 0.0001pt 20pt; text-indent: -20pt; color: rgb(102, 102, 102);font-family:times new roman;"><span lang="EN-US" style="font-size:100%;"><o:p></o:p><br /></span></p><p style="margin: 0cm 0cm 0.0001pt 20pt; text-indent: -20pt; color: rgb(102, 102, 102);font-family:times new roman;"><span lang="EN-US" style="font-size:100%;">2007</span><span style="font-size:100%;">桃園美術獎</span><span lang="EN-US" style="font-size:100%;"><span style=""> </span></span><span style="font-size:100%;">地點</span><span lang="EN-US" style="font-size:100%;">:</span><span style="font-size:100%;">桃園縣政府文化局</span><span lang="EN-US" style="font-size:100%;"><o:p></o:p><br /></span></p><p style="margin: 0cm 0cm 0.0001pt 20pt; text-indent: -20pt; color: rgb(102, 102, 102);font-family:times new roman;"><span lang="EN-US" style="font-size:100%;">2007</span><span style="font-size:100%;">第二屆台北數位藝術節</span><span lang="EN-US" style="font-size:100%;"><span style=""> </span></span><span style="font-size:100%;">地點</span><span lang="EN-US" style="font-size:100%;">:</span><span style="font-size:100%;">台北</span><span style="font-size:100%;"> </span><span style="font-size:100%;">西門町紅樓</span><span lang="EN-US" style="font-size:100%;"> <o:p></o:p><br /></span></p><p style="margin: 0cm 0cm 0.0001pt 20pt; text-indent: -20pt; color: rgb(102, 102, 102);font-family:times new roman;"><span lang="EN-US" style="font-size:100%;"><o:p></o:p><br /></span></p><p style="margin: 0cm 0cm 0.0001pt 20pt; text-indent: -20pt; color: rgb(102, 102, 102);font-family:times new roman;"><span lang="EN-US" style="font-size:100%;">2007 [</span><span style="font-size:100%;">城市寓言</span><span lang="EN-US" style="font-size:100%;">]</span><span style="font-size:100%;">城市行動藝術節</span><span lang="EN-US" style="font-size:100%;"><span style=""> </span></span><span style="font-size:100%;">地點</span><span lang="EN-US" style="font-size:100%;">:</span><span style="font-size:100%;">台北</span><span style="font-size:100%;"> </span><span style="font-size:100%;">建國啤酒廠</span><span lang="EN-US" style="font-size:100%;"><o:p></o:p><br /></span></p><p style="margin: 0cm 0cm 0.0001pt 20pt; text-indent: -20pt; color: rgb(102, 102, 102);font-family:times new roman;"><span lang="EN-US" style="font-size:100%;">2008 [</span><span style="font-size:100%;">小民市景<span lang="EN-US">]</span>-台灣新興數位藝術展<span lang="EN-US"><span style=""> </span></span>地點<span lang="EN-US">:</span>台中 國立美術館</span></p> <p style="color: rgb(102, 102, 102);font-family:georgia;" class="MsoNormal"><span lang="EN-US" style="font-size:100%;"><o:p> </o:p></span><span class="sg" style="font-size:100%;"><span style="">得獎</span><span lang="EN-US"><o:p></o:p><br />2008 </span></span><span class="sg" style="font-size:100%;"><span style="">美術創作卓越獎</span></span></p><p style="color: rgb(153, 153, 153);font-family:georgia;" class="MsoNormal"><br /><span class="sg" style="font-size:100%;"><span lang="EN-US"><o:p></o:p></span></span></p> <p style="color: rgb(153, 153, 153);font-family:georgia;" class="MsoNormal"><span lang="EN-US" style="font-size:100%;"><o:p> </o:p></span></p> <p style="color: rgb(153, 153, 153);font-family:georgia;" class="MsoNormal"><span style="font-size:100%;"><span lang="EN-US">Exhibitions</span></span><span lang="EN-US" style="font-size:100%;"><o:p></o:p></span></p> <p class="MsoNormal" style="font-family: times new roman;"><span style=";font-size:10;color:black;" lang="EN-US" ><span style="color: rgb(153, 153, 153);font-family:georgia;font-size:100%;" >2006</span><span style="color: rgb(153, 153, 153);font-family:georgia;font-size:100%;" > </span><span style="color: rgb(153, 153, 153);font-family:georgia;font-size:100%;" >Tiger Awards Competition for Short Film, the 35th International Film Festival Rotterdam<o:p></o:p><br />2006</span><span style="color: rgb(153, 153, 153);font-family:georgia;font-size:100%;" > </span><span style="color: rgb(153, 153, 153);font-family:georgia;font-size:100%;" >Taipei International Film Festival<b style=""><o:p></o:p></b><br />2006</span><span style="color: rgb(153, 153, 153);font-family:georgia;font-size:100%;" > </span><span style="color: rgb(153, 153, 153);font-family:georgia;font-size:100%;" >South Taiwan &Video Festival<o:p></o:p><br />2006</span><span style="color: rgb(153, 153, 153);font-family:georgia;font-size:100%;" > </span><span style="color: rgb(153, 153, 153);font-family:georgia;font-size:100%;" >Digital Art Festival Taipei 2006<o:p></o:p><br />2007</span><span style="color: rgb(153, 153, 153);font-family:georgia;font-size:100%;" > </span><span style="color: rgb(153, 153, 153);font-family:georgia;font-size:100%;" >Rubricate- the New Media art Exhibitions<o:p></o:p><br />2007</span><span style="color: rgb(153, 153, 153);font-family:georgia;font-size:100%;" > </span><span style="color: rgb(153, 153, 153);font-family:georgia;font-size:100%;" >the 5<sup>th</sup> Taoyuan Creation Award<o:p></o:p><br />2007</span><span style="color: rgb(153, 153, 153);font-family:georgia;font-size:100%;" > </span><span style="color: rgb(153, 153, 153);font-family:georgia;font-size:100%;" >the 2<sup>th</sup> Digital Art Festival Taipei 2007</span></span></p><p class="MsoNormal" style="font-family: times new roman;"><br /></p><p class="MsoNormal" style="color: rgb(255, 153, 102);font-family:times new roman;"><span lang="EN-US" style="font-size:10;"><span style="color: rgb(153, 153, 153);font-family:georgia;font-size:100%;" ><span style="color: rgb(255, 204, 204);font-size:85%;" ><a style="font-family: times new roman;" href="http://blog.roodo.com/natniu">http://www.flickr.com/photos/natniu/</a></span></span></span></p><p class="MsoNormal" style="font-family: times new roman;"><span style=";font-size:10;color:black;" lang="EN-US" ><span style="color: rgb(153, 153, 153);font-family:georgia;font-size:100%;" ><span style="color: rgb(255, 153, 102);font-size:85%;" ><a style="font-family: times new roman;" href="http://blog.roodo.com/natniu">http://blog.roodo.com/natniu</a></span></span></span></p><p class="MsoNormal" style="font-family: times new roman;"><span style=";font-size:10;color:black;" lang="EN-US" ><span style="color: rgb(153, 153, 153);font-family:georgia;font-size:100%;" ><span style="font-weight: bold;font-size:85%;" >nat.niu@gmail.com</span><span style="font-size:85%;"><br /></span></span></span></p><span style="font-size:85%;"><br /></span><p class="MsoNormal" style="font-family: times new roman;"><br /></p>Taiwan-Israelhttp://www.blogger.com/profile/07260608420076148645noreply@blogger.com0tag:blogger.com,1999:blog-7079676972011757535.post-77307660678708567212008-06-16T14:34:00.000-07:002008-06-16T14:43:33.723-07:00策展人-蔡佩珊Tsai, Pei-Shan<p class="MsoNormal" style="font-family:times new roman;"><span style="font-size:100%;"><br /></span></p><p class="MsoNormal" style="font-family:times new roman;"><span style="font-size:100%;">學歷:國立臺北教育大學特殊教育學系</span><span lang="EN-US" style="font-size:100%;">91</span><span style="font-size:100%;">級畢<br /> 國立臺北藝術大學美術史研究所藝評組</span></p> <p class="MsoNormal" style="font-family:times new roman;"><span lang="EN-US" style="font-size:100%;"><o:p> </o:p></span></p> <p class="MsoNormal" style="font-family:times new roman;"><br /><span style="font-size:100%;">得獎:</span></p> <p class="MsoNormal" style="font-family:times new roman;"><span style="font-size:100%;">.</span><span lang="EN-US" style="font-size:100%;">2004</span><span style="font-size:100%;">年<br />台東縣後山文化工作協會主辦之第六屆後山文藝營小說組優選。</span></p><p class="MsoNormal" style="font-family:times new roman;"><span lang="EN-US" style="font-size:100%;"><o:p></o:p></span><span style="font-size:100%;">.</span><span lang="EN-US" style="font-size:100%;">2008</span><span style="font-size:100%;">年<br />國立臺北藝術大學美術學院美術創作卓越獎策展計畫類得獎者。</span></p><p class="MsoNormal" style="font-family:times new roman;"><span style="font-size:100%;"><br /></span></p><p class="MsoNormal" style="font-family:times new roman;"><span lang="EN-US" style="font-size:100%;"><o:p> </o:p></span></p> <p class="MsoNormal" style="font-family:times new roman;"><br /><span style="font-size:100%;">經歷:</span></p><p class="MsoNormal" style="font-family:times new roman;"><span lang="EN-US" style="font-size:100%;"><o:p></o:p></span><span style="font-size:100%;">.</span><span lang="EN-US" style="font-size:100%;">2007/09<br />global animax project</span><span style="font-size:100%;">策展暨發表計畫,<br />好流氓《大家族企業:開放辦公室》,伊斯坦堡。</span></p><br /> <p class="MsoNormal" style="font-family:times new roman;"><span lang="EN-US" style="font-size:100%;"><o:p> </o:p></span><span style="font-size:100%;">.</span><span lang="EN-US" style="font-size:100%;">2007</span><span style="font-size:100%;">年</span><span lang="EN-US" style="font-size:100%;">10</span><span style="font-size:100%;">月迄今<br />藝術家雜誌實習記者。</span></p> <p class="MsoNormal" style="font-family:times new roman;"><span lang="EN-US" style="font-size:100%;"><o:p></o:p></span><span style="font-size:100%;"><br />.</span><span lang="EN-US" style="font-size:100%;">2007</span><span style="font-size:100%;">年</span><span lang="EN-US" style="font-size:100%;">10</span><span style="font-size:100%;">月迄今<br />台灣數位知識與創作流通平台記者。</span></p><p class="MsoNormal" style="font-family:times new roman;"><span style="font-size:100%;"><br /></span></p> <p class="MsoNormal" style="font-family:times new roman;"><span lang="EN-US" style="font-size:100%;"><o:p> </o:p></span><span style="font-size:100%;"><br /><br /></span><span style="font-size:100%;"></span></p>Taiwan-Israelhttp://www.blogger.com/profile/07260608420076148645noreply@blogger.com0tag:blogger.com,1999:blog-7079676972011757535.post-78580670808677703252008-05-27T06:08:00.000-07:002008-06-16T22:13:02.493-07:00邊陲之境的地理心理學<div style="text-align: right;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwCXBzQ7AndiIzpc6ptF1G7leIIXD9Uxc4hrZoZNm4EaCRTTyER9Jq9Jt37O620FLDnrpBnz0lsrfaZJXlbnC4GzKORSdZaSAF8I87O-JsZWbOr3p2po75RFoAq5-brmT0XFGlC3G0fMR4/s1600-h/Sharon+%26+Roi+Kiryat+Malachi.jpg"><img dragover="true" style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 284px; height: 218px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwCXBzQ7AndiIzpc6ptF1G7leIIXD9Uxc4hrZoZNm4EaCRTTyER9Jq9Jt37O620FLDnrpBnz0lsrfaZJXlbnC4GzKORSdZaSAF8I87O-JsZWbOr3p2po75RFoAq5-brmT0XFGlC3G0fMR4/s320/Sharon+%26+Roi+Kiryat+Malachi.jpg" alt="" id="BLOGGER_PHOTO_ID_5212579082814843058" border="0" /></a><br /><br /><br /></div><div style="text-align: left;"><span style="font-size:85%;"><span style=""><br /><br /><br /><br /><br /><br /><br /></span></span><span style="color: rgb(204, 204, 204);font-family:times new roman;font-size:78%;" ><span lang="EN-US" style="font-size:10;"><span style="font-size:85%;">Sharon & Roi Kiryat Malachi</span></span><span lang="EN-US" style="font-size:85%;"><span style=""> </span>/<span style=""> </span>Ohad Matalon</span><span style="font-size:85%;"><o:p></o:p> </span></span><br /><br /><br /><br /><span style="font-size:85%;"><span style=""><br />-</span><span style="">策展人</span><span style=""> </span><span style="">蔡佩珊</span></span><span style=""><o:p></o:p></span> </div><p style="text-align: left;" class="a"><o:p> </o:p></p><div> </div><p style="text-align: justify;" class="a"><span style="font-weight: bold;">邊陲之境的地理心理學</span><span style="" lang="EN-US"><o:p></o:p></span></p><div style="text-align: justify;"> </div><p style="text-align: justify;" class="a"><span style=""> 攤開世界地圖,緯度相近的台灣與以色列分據著亞洲大陸東西兩方的邊緣之境。兩者位處亞洲兩側邊的地理之位的姿態彷若(括號)作用,框括著亞</span></p><p style="text-align: justify;" class="a"><span style="">洲的疆界範圍,也括明了中心就在括號之中;中心與邊緣是一種互為互恃的作用狀態,也即是中心依憑邊緣而確立為中心之姿;反之,邊境不僅僅只是單元中心的邊緣,它亦是此處與彼處之間的中介位置與狀態,看似兩者的邊緣,更也是兩造交集之所在,因然地邊陲與中心始有一種反轉的態勢。以色列既臨亞洲西側邊境也近鄰歐陸,它身處歐亞的激鋒交界之處;而台灣不僅列處東亞門戶之位,也服贗太平洋區域另一側的權力中心,它是東亞勢力與太平洋彼端權力推移交鋒的中介之地。邊陲之境往往因地理情勢開啟更加複雜繁詭的政治樣態,因此可這麼說,以色列與台灣皆處於一種例外狀態(</span><span style="" lang="EN-US">state of exception</span><span style="">):主體的認同與整體性格態度乃是相當游牧、漂移,以及由此而生的去中心覺知。</span><span style="" lang="EN-US"><o:p></o:p></span></p> <p class="a" style=""><span style="" lang="EN-US"><o:p> </o:p></span></p> <p class="a" style=""><span style="" lang="EN-US">●</span><span style="">亞細亞的孤兒</span><span style="" lang="EN-US"><o:p></o:p></span></p> <p class="a" style=""><span style=""> 吳濁流《亞細亞的孤兒》一書堪能表識台灣人的處境,以及身分模糊與迷失的狀態。書中主角胡太明為台灣日治時期下受過高等教育的知識份子,因政治現實因素而致使自我認同及歸屬感寄寓於統政的日本和血緣文化地理皆相近的中國之上,縱使胡太明能言能書,但遊走兩大國之間卻仍無法獲得任一方的接納認可,終致自我價值崩潰引爆精神狀態的瘋癲。主角的失心瘋喻指了台灣認同主體浮移失根的意識狀態,此等潛意識驅策著我們不停地覓尋懸缺的母親的懷抱,所謂光復大陸失土(西側中心)、返聯入聯(東側中心)這些不同時代的政治操作已不僅是關乎統政議題,它們乃是更為深層的集體潛意識對母親懷抱嚮往的徵候。中心之於台灣,不但在想像層域中扮演著被慾望的母親的角色,同時也化身為嚴厲的父法,欲望對象一體雙面的擬像不僅迴向映照至主體自身之上,也內爆出主體最本真的精神分裂狀態。</span><span style="" lang="EN-US"><o:p></o:p></span></p> <p class="a" style=""><span style="" lang="EN-US"><o:p> </o:p></span></p> <p class="a" style=""><span style="" lang="EN-US">●</span><span style="">愛與黑暗之間的掙扎</span><span style="" lang="EN-US"><o:p></o:p></span></p> <p class="a" style=""><span style=""> 備受國際矚目的以色列文學作家阿摩司.奧茲(</span><span style="" lang="EN-US">Amos Oz</span><span style="">)在自傳體長篇小說《愛與黑暗的故事》不僅撰寫了一個以色列家庭的日常生活,也娓娓鋪展出百年來一個猶太家族的歷史與民族敘事,以第一人稱「我」為出發,從祖父輩流亡歐洲的動盪人生、移居巴勒斯坦地區後的艱辛生計,到英國託管時期耶路撒冷的生活習俗、以色列建國初期面臨的各種挑戰、形形色色猶太文化人的心態、學術界的勾心鬥角、鄰近阿拉伯人的命運、大屠殺悻存者和移民的際遇、到猶太復國主義先驅者和拓荒者種種的奮鬥歷程。奧茲說:「整個猶太人的歷史,就是一部愛與黑暗的歷史。在漫長的歲月裡,我們沒有自己的家園、沒有自己的語言、沒有安全感。《愛與黑暗的故事》寫的是猶太人如何回到家園的故事,也是猶太民族的夢想變為現實的故事。但事實上,夢想和現實之間依然有很大的距離,因此,我的故事也在悲劇和喜劇間徘徊。」</span><span style="" lang="EN-US"><o:p></o:p></span></p> <p class="a" style=""><span style=""> 以色列最初是指一個民族而非地名,在過去三千年的歷史中,猶太人視以色列為自己的民族和精神生活的核心,稱之為「聖地」或「應許之地」,但經歷過亞述、巴比倫、波斯、希臘、羅馬、拜占庭等古國的統治,猶太人在這一地區逐漸衰落並遭驅逐。數個世紀以來,許許多多流亡海外的猶太人一直試圖返回以色列。</span><span style="" lang="EN-US">1896</span><span style="">年維也納記者和劇作家西奧多.赫茨爾發起錫安主義運動(又稱猶太復國主義運動),號召全世界猶太人回歸故土,經歷幾次大規模的回歸潮流後,</span><span style="" lang="EN-US">1948</span><span style="">年</span><span style="" lang="EN-US">5</span><span style="">月</span><span style="" lang="EN-US">14</span><span style="">日,在英國的託管期結束前一天,以色列國正式宣布成立,聯合國亦承認為會員國,這也是世界上唯一以猶太人為主體的國家。數千年來猶太人一再試圖回歸以色列的舉動,乃是對永恆歸返母體懷抱欲望的徵候表現,但主體卻在致使慾望實現與慾望永不可能被滿足之間不停輪迴,再加以他者的認可/排斥與主體自我認同間的相悖衝突,而迸裂出在愛與黑暗之間掙扎的邊緣性格。</span><span style="" lang="EN-US"><o:p></o:p></span></p> <p class="a" style=""><span style="" lang="EN-US"><o:p> </o:p></span></p> <p class="a" style=""><span style="" lang="EN-US">●</span><span style="">鏡射最熟悉的陌生人</span><span style="" lang="EN-US"><o:p></o:p></span></p> <p class="a" style=""><span style=""> 以色列與台灣兩者不但在交通路程相距甚遠,更因新聞、電影等以歐美西方為中心的傳媒訊息作用之下,雙方存在著比實際地理位置更遙遠的距離,中、英、美、法熟稔得好似街坊鄰居,而以色列之於台灣或者台灣之於以色列,倒像是世界盡頭般的彼處。換言之,在此處的我早習以為常地以一種冷調又陌生的旁觀者態度處理彼處的人事物:我只是冷眼旁觀著他的痛苦。因此可說彼處之於此處而言乃落在比邊境更邊陲的位置,也即是例外狀態不單只是邊緣之於中心的例外,還有邊境應照邊境更加例外的指涉。這等例外狀態的處境使得兩造彷如面鏡而對一般:我在鏡裡看見我,而鏡中之影卻又不能等同我,那也就是我在他身上看見我,但他並不是我(這「我」之主體位置可任意抽換成台灣或以色列),他之於我而言其實是最熟悉的陌生人。簡言之,台灣和以色列無論在宗教、種族、國情等方面是大相逕庭的,但政治現實激起的集體精神狀態、意識型態與性格反應卻是極為相似的,好比面鏡而照一般,也正是透過他者以及欲望的投射與反射,拉出永恆回返主體自身之內的廣裘視野。</span></p><p class="a" style=""><span style=""><br /></span></p><p class="a" style=""><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj33E1hxz5rg81GNUrCMwFNMUhfGrRDMS_kc032Pso8lYhjb274exj8tlYgbh4fwgrrqhyEcXhxVMap60qnTq6dscxzSahiEE62V7QyMimrgrxjkTvtsAmn-FCjUWWhUq8UbnWtRiVVRgVJ/s1600-h/L1000921.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 136px; height: 99px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj33E1hxz5rg81GNUrCMwFNMUhfGrRDMS_kc032Pso8lYhjb274exj8tlYgbh4fwgrrqhyEcXhxVMap60qnTq6dscxzSahiEE62V7QyMimrgrxjkTvtsAmn-FCjUWWhUq8UbnWtRiVVRgVJ/s320/L1000921.jpg" alt="" id="BLOGGER_PHOTO_ID_5212572273041213314" border="0" /></a><span style="" lang="EN-US"><o:p></o:p></span></p> <p class="a" style=""><span style="" lang="EN-US"><o:p> </o:p></span></p> <p dragover="true" class="a" style=""><span style="">蕾.歐帕茲(</span><span style="" lang="EN-US">Leigh Orpaz</span><span style="">)攝影作品中畫面右側轉身的女性即是作者本人,左側望向她的男子則是一張亞洲東方的黃臉孔,鏡面反射攝影快門的閃光獲住了觀者的第一目光,而攝影者的位置恰好反射了觀看者的位置,攝影的他也是觀看的我其實正立於他們對望的視覺動線之中。換言之,乃是以鏡面的映射作用將觀看者涉入黃/白、男/女意味深長的對立觀望之中,觀者不再只是無關心、被動的觀賞,觀看的同時就無能再置身事外,也即是我們旁觀他人的同時也反射回自身。</span></p><p dragover="true" class="a" style=""><span style=""><br /></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhitQaVPdyv8TKCTXR2U0cLJhpxuQMs4Ec9c_9q1e90_1gFTVndxK-UAM_RtqUKNGTbjCpGS8AMWxkzO16gNk4rBZgUU8ryn1jOd0F7AGyK9CwjELJ3Vn3oKhyVaX7zHlxli_-o5nK_DZyi/s1600-h/%E9%98%BF%E5%A7%A8%E5%9C%962.jpg"><img dragover="true" style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 107px; height: 148px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhitQaVPdyv8TKCTXR2U0cLJhpxuQMs4Ec9c_9q1e90_1gFTVndxK-UAM_RtqUKNGTbjCpGS8AMWxkzO16gNk4rBZgUU8ryn1jOd0F7AGyK9CwjELJ3Vn3oKhyVaX7zHlxli_-o5nK_DZyi/s320/%E9%98%BF%E5%A7%A8%E5%9C%962.jpg" alt="" id="BLOGGER_PHOTO_ID_5212573069548243522" border="0" /></a><span style="">余政達〈她是我阿姨〉將無關己的抗爭事件經由媒體一再的轉譯,</span><span style="" lang="EN-US">DV</span><span style="">現場錄影轉議為事件,再加上罐頭音樂和文字敘述:「她是我阿姨/她喜歡水仙/洗衣粉只用白蘭的/之前我媽就有跟我說她很容易激動/北一女的好像都很仗義直言/跟她進去拒馬後面的是黃婷/她小我十六歲的女兒/念萬華國小/成績好像還好/也只看過幾次吧」將本來無關的事件進一步轉譯為極具切身關係的親屬狀態。戲謔玩笑式的影音看似背離事件的真實,實則陌然的人事物以更近的姿態和我們面對,或者說對陌生人物的移情投射作用,折射出觀者以自我為主的觀看視點問題。</span></p><p dragover="true" class="a" style=""><span style=""><br /></span></p><p dragover="true" class="a" style=""><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCyq-bJ9ctqtMi41Xvlyo1s9fdY7x0iraoPq7VwOuefVpJWFksDEQT_8FuF_EAKKUxtM22ny85FFH9C0x0ZfV-et4uJcrirOaKwkaNocxME6HrlnS-IhSSWxQXYTWp7GGhHfSkac5a5O0D/s1600-h/Rizmantwo,ink-and-water-color-on-paper,-21-x-29.7-cm.,2008..jpg"><img dragover="true" style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 108px; height: 147px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCyq-bJ9ctqtMi41Xvlyo1s9fdY7x0iraoPq7VwOuefVpJWFksDEQT_8FuF_EAKKUxtM22ny85FFH9C0x0ZfV-et4uJcrirOaKwkaNocxME6HrlnS-IhSSWxQXYTWp7GGhHfSkac5a5O0D/s320/Rizmantwo,ink-and-water-color-on-paper,-21-x-29.7-cm.,2008..jpg" alt="" id="BLOGGER_PHOTO_ID_5212574101247895954" border="0" /></a><span dragover="true" style="">至於梅塔爾.凱茲(</span><span style="" lang="EN-US">Meital Katz</span><span style="">)四幅水彩作品則以雙生/身人物(</span><span style="" lang="EN-US">twins</span><span dragover="true" style="">)的形象表現存在自我心理狀態中的矛盾與歧裂,這些共存一體的雙頭生物皆是未竟完成、不完整的樣態,以此些奇異的生物形象表達個人內心的矛盾分裂情致,而作者試圖探究的不僅是個人的精神分裂狀態,更意圖尋探相悖兩造的「之間」(</span><span style="" lang="EN-US">in-between</span><span style="">)或中介(</span><span style="" lang="EN-US">intermedia</span><span style="">)之地,這是</span><span dragover="true" style="">一個深奧、流動並且是未經思考、人力無能控制的地方,像是培養皿一般,意識在此翻</span><span dragover="true" style="">攪並自此分離成悖離分裂的個我精神狀態。</span></p><p dragover="true" class="a" style=""><br /><span style="" lang="EN-US"><o:p></o:p></span></p> <p class="a" style=""><span style="" lang="EN-US"><o:p> </o:p></span></p> <p class="a" style=""><span style="" lang="EN-US">●</span><span style="">政治現實是藝術創作的沃土</span><span style="" lang="EN-US"><o:p></o:p></span></p> <p class="a" style=""><span style=""> 邊境之地繁詭的政治性現實相當難解,但正是如此交織纏繞的狀態反倒能汲養當代藝術的興發,它成了當代藝術最好的取材之地。也因為邊境殊異於中心的政治態勢,成就了邊境之地在當代藝術內容上迥異於西方中心的特殊表現,如緊繃又禁制的政治迫害氛境,便是當代藝術最好也最具差異與徵候的擷材之處。</span></p><p class="a" style=""><span style=""><br /></span></p><p class="a" style=""><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgsVlQWI8r-vL8CszfW5sOwEi-yh1b2kF9PWcRobxh4xn1QieY4SOzMj3GPVOlICHheDNAu2xlusPOJwD1sCREboiXdA5XcTmkzM4kzzN7q6lLomBkRK7LwBO6xF8ZVDPITb4EH90GDtKE/s1600-h/%E5%BE%90.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 124px; height: 96px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgsVlQWI8r-vL8CszfW5sOwEi-yh1b2kF9PWcRobxh4xn1QieY4SOzMj3GPVOlICHheDNAu2xlusPOJwD1sCREboiXdA5XcTmkzM4kzzN7q6lLomBkRK7LwBO6xF8ZVDPITb4EH90GDtKE/s320/%E5%BE%90.jpg" alt="" id="BLOGGER_PHOTO_ID_5212574851821895586" border="0" /></a><span dragover="true" style="">徐思穎的〈此時此地禁錮空間計畫〉乃以國防部綠島感訓監獄之綠洲山莊為主要取景場域,分別攝錄白衣白褲之人於獨居房、廢棄的大門口、後山操場等空間中機械且規律般的運動狀態,徐思穎說道:「這一系列的作品,主要在探討人類與空間之間潛藏所能指涉出的關聯性。」這並非一</span><span dragover="true" style="">般尋常的空間,而是曾作用為囚錮政治犯與思想犯的異地,禁閉於此人既不能說也不能做什麼,緊張的政治氛圍以律法和禁制空間緊束著人的言行,縱使昔人已遠去,抑鬱/異域的氛境仍陰魂不散。</span></p><p class="a" style=""><span dragover="true" style=""><br /></span></p><p class="a" style=""><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggL_yI0Gnhyphenhyphen4_xgED3bjV0vt2g-ta9P7ufUcPzN9e7LgqIpxHpwKsuZ0siigaho1OgyhWskAri_mXuH_8GVmbVPohC0Wx_NzbsQCitkbPBpUzdczlfk10sMpHT72zF4X6gnNXZkYIkCWOe/s1600-h/p.o.v.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 121px; height: 89px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggL_yI0Gnhyphenhyphen4_xgED3bjV0vt2g-ta9P7ufUcPzN9e7LgqIpxHpwKsuZ0siigaho1OgyhWskAri_mXuH_8GVmbVPohC0Wx_NzbsQCitkbPBpUzdczlfk10sMpHT72zF4X6gnNXZkYIkCWOe/s320/p.o.v.jpg" alt="" id="BLOGGER_PHOTO_ID_5212575095468407490" border="0" /></a></p><p class="a" style=""><span dragover="true" style="">歐哈.曼塔隆(</span><span style="" lang="EN-US">Ohad Matalon</span><span style="">)的靜態攝影作品〈</span><span style="" lang="EN-US">p.o.v</span><span style="">〉、〈</span><span style=""> </span><span style="">遙控</span><span style=""> </span><span style="" lang="EN-US">Remote control</span><span dragover="true" style="">〉記錄著一群處於被動臣服狀態的小人物,誰迫使他們如此?何以他們須舉雙手求饒?且被迫以褪去衣衫呈現赤裸狀態?作品在在掀起一層又一層的張力。這兩者的作品一靜一動表現了兩地潛在或曾有的弩張政治況味。</span></p><p dragover="true" class="a" style=""><span style=""><br /></span></p><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgsVlQWI8r-vL8CszfW5sOwEi-yh1b2kF9PWcRobxh4xn1QieY4SOzMj3GPVOlICHheDNAu2xlusPOJwD1sCREboiXdA5XcTmkzM4kzzN7q6lLomBkRK7LwBO6xF8ZVDPITb4EH90GDtKE/s1600-h/%E5%BE%90.jpg"></a> <p class="a" style=""><span style="" lang="EN-US"><o:p> </o:p></span></p> <span style="text-decoration: underline;"><br /></span> <p class="a" style=""><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBH1LyJrWD_tg_UskD0jA5SeSRP9XU05bJ3v-sBqrCZFffLpqNtGNh_pJh-BOB8ki_Y7zrEnlqHDf9XyKcjTArX-6TGR60EScLqdG41_aN8hJw-efN_zwsxVJd2C_QOSuIen73O5PlqEjO/s1600-h/%E7%85%A7%E7%89%87-010.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 132px; height: 95px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBH1LyJrWD_tg_UskD0jA5SeSRP9XU05bJ3v-sBqrCZFffLpqNtGNh_pJh-BOB8ki_Y7zrEnlqHDf9XyKcjTArX-6TGR60EScLqdG41_aN8hJw-efN_zwsxVJd2C_QOSuIen73O5PlqEjO/s320/%E7%85%A7%E7%89%87-010.jpg" alt="" id="BLOGGER_PHOTO_ID_5212575441131934418" border="0" /></a><span style="">文化的殖民與混種狀態乃是伴隨著邊境政權移轉更迭必然的現象,韋至恆的油畫系列「甜蜜飛彈系列」或「混合文化系列」等相關作品,隨意的塗抹看似小男孩紙上塗鴉的戰爭遊戲,實則是自我對文化混種交雜的養成背景有相當覺知的狀態,韋至恆言道:「我所提出的,自身的混合文化。日本武士、忍者、中國傳統的兵器,和當今中共的飛彈,美式好萊塢電影的相互交融、混合,就成為我的創作軸線之一,這層面不只停留在兵器上,將會擴及整個文化的融合。」</span></p><p class="a" style=""><span style=""><br /></span></p><p class="a" style=""><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnRT_0579l2ohE4IWEsFlynUhaWVcbAzM0TLmJdnpOIxqqrZdbSqxD9Lrn5FuWPwa5ne4QYvMq2inJApE_sndVdBwroxKGzarSbsT_S0ooK9-6CdmLNAvEZb1floYyTMEBo1D8J9ZiRYVS/s1600-h/Tamar---2007,-Formica,-50X50X200-cm.gif"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 89px; height: 134px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnRT_0579l2ohE4IWEsFlynUhaWVcbAzM0TLmJdnpOIxqqrZdbSqxD9Lrn5FuWPwa5ne4QYvMq2inJApE_sndVdBwroxKGzarSbsT_S0ooK9-6CdmLNAvEZb1floYyTMEBo1D8J9ZiRYVS/s320/Tamar---2007,-Formica,-50X50X200-cm.gif" alt="" id="BLOGGER_PHOTO_ID_5212575890446118066" border="0" /></a><span style="">阿維塔.納尼(</span><span style="" lang="EN-US">Avital Cnaani</span><span style="">)則是將隨手可得的日常現成物:塑膠軟墊及佛麥卡塑膠貼面物件混拼組成〈記號〉、〈</span><span style=""> </span><span style="">妲瑪</span><span style=""> </span><span style="" lang="EN-US">Tamar</span><span style="">〉</span><span style="">(</span><span style=""> </span><span style="">希伯來文</span><span style=""> </span><span style="">:</span><span style=""> <span lang="EN-US">תָּמָר </span></span><span style="">,是以色列王大衛的女兒,但遭哥哥押沙龍</span><span style="" lang="EN-US">Absalom</span><span style="">的兄弟強姦,因此</span><span style="" lang="EN-US">Tamar</span><span style="">隱喻著強姦的意涵。</span><span style=""> </span><span style="">)</span><span style="">裝置雕塑作品,這兩件作品皆近似於「紀念碑」或「塔」的形象,物品本身是外來、西方的產物,也有本來的用途和意義,但類紀念碑塔式的裝置反轉了物件自身的意示,將物件與作者本身的文化與觀察雜揉,反轉、錯置所指能指的直截指涉關係。</span></p><p class="a" style=""><span style=""><br /></span></p><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitwFmW6AFFLvBdzcF1FWfaMvyUgBlqimnxjcQYa0_cDjGLu17wErYysy3mRc_6SQ-V-Vh5THDqMypt_80rXzcg1wB2gxv7WScnDSlXPdvyGUkSc5zakHbfMLtNirvJNyUJToqAfRPo3IkC/s1600-h/inatallation-pic.jpg"><img dragover="true" style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 136px; height: 115px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitwFmW6AFFLvBdzcF1FWfaMvyUgBlqimnxjcQYa0_cDjGLu17wErYysy3mRc_6SQ-V-Vh5THDqMypt_80rXzcg1wB2gxv7WScnDSlXPdvyGUkSc5zakHbfMLtNirvJNyUJToqAfRPo3IkC/s320/inatallation-pic.jpg" alt="" id="BLOGGER_PHOTO_ID_5212576522683075506" border="0" /></a> <p class="a" style=""><span style="" lang="EN-US"><o:p> </o:p></span></p> <p class="a" style=""><span style=""> 文化上的混種除了融合,也依稀隱含著混淆、錯置、失焦的境況。納維.伊茲哈(</span><span style="" lang="EN-US">Nevey Izhak</span><span style="">)〈</span><span style=""> </span><span style="">遲緩</span><span style="" lang="EN-US">-</span><span style="">一場視影音樂會</span><span style=""> </span><span style="" lang="EN-US">Schneckentempo - A Video Concert</span><span style="">〉的四頻道影像裝置,以四具電視螢幕同步演奏一場古典音樂會,但螢幕遺失了影像該有的準確質地,而透過電腦播放的樂音也失去了它的精準性,於此,觀者並非在經驗一場聽覺饗宴,反倒是知覺一再地遭到異化及漏失。</span></p><p class="a" style=""><span style=""><br /></span></p><p class="a" style=""><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihLQ-y2fe6QuFl3qgqEGGMQAJ3Gz6sgBof4GNWCz_rAh7-uP5im0S8WlJkmpSLjI-aIbLuOcEEGNRFLGG-1-gOPoUpMx7-yo8kwwmJdkaQiSTJu-MPtr0lqv15bORGcI86VhW0ZDxPJsK2/s1600-h/03.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 134px; height: 99px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihLQ-y2fe6QuFl3qgqEGGMQAJ3Gz6sgBof4GNWCz_rAh7-uP5im0S8WlJkmpSLjI-aIbLuOcEEGNRFLGG-1-gOPoUpMx7-yo8kwwmJdkaQiSTJu-MPtr0lqv15bORGcI86VhW0ZDxPJsK2/s320/03.jpg" alt="" id="BLOGGER_PHOTO_ID_5212576833016934434" border="0" /></a><span style="">牛俊強的「邊境</span><span style="" lang="EN-US">Outland</span><span style="">」系列,乃是在夜晚時分拍攝城市中的大面積空地,如河濱公園的足球場、操場、正在施工的工地等邊緣性的場域。再經修像後製,製造了一個更陌生的風景,這陌生風景的顯像則來自一種主體失焦的狀態。</span></p><br /><p class="a" style=""></p><br /><p class="a" style=""><span style="" lang="EN-US"><o:p> </o:p></span></p> <p class="a" style=""><span style=""> 總的而言,台灣與以色列的青年藝術家在作品的表現形式上仍不脫當代藝術的框範,或者可說都還是踏在西方領軍的藝術走勢之後,但兩地特殊的政治史地情狀確實涵養了藝術家創作的內容,成就了具辨識度的藝術表現的面貌與性格,這是彼此從相似處況的邊境他地,看清了自身的條件與發展性所在。同是邊境的兩者,透過彼此的相對看見了自己,恰如面鏡而照一般看透了我與他者。</span></p><p class="a" style=""><br /></p><p class="a" style=""><br /></p><p class="a" style=""><br /></p><p class="a" style=""><span style=""><br /></span></p> <p class="a" style=""><span style=""></span><span style=""><o:p></o:p></span></p>Taiwan-Israelhttp://www.blogger.com/profile/07260608420076148645noreply@blogger.com0tag:blogger.com,1999:blog-7079676972011757535.post-24782916784131895442007-05-27T07:32:00.000-07:002008-05-27T07:33:39.993-07:00留言板Unknownnoreply@blogger.com0